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Luc Boltanski und Eve Chiapello: Der neue Geist des Kapitalismus

Schlüsselwerke der Wirtschaftssoziologie, 2021
S. Münnich
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Réponse de Luc Boltanski

Travail, genre et sociétés, 2006
Les representations de plus en plus envahissantes des corps extremes dans l’art contemporain prennent leur source dans l’iconographie chretienne, et en particulier les innombrables representations de l’Homme de Douleur, dont le polyptique de Grunewald est l’exemple le plus frappant.
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Luc Boltanski und Laurent Thévenot: Über die Rechtfertigung

Schlüsselwerke der Wirtschaftssoziologie, 2021
Lisa Knoll
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Mourning or Melancholia: Christian Boltanski's Missing House

Oxford Art Journal, 1998
My work is not about the camps, it is after the camps. The reality of the Occident was changed by the Holocaust. We can no longer see anything without seeing that. But my work is really not 1. Georgia Marsh, 'The White and the Black: about the Holocaust, it's about death in general, about all of our deaths.1 An Interview with Christian Boltanski ...
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