Results 11 to 20 of about 3,693 (251)
Revue Française de Civilisation Britannique, 2017 Spanish translations of the Book of Common Prayer in the 17th and 18th century and their use by various groups of Spanish Protestant exiles are a testimony to early interactions between the Anglican Church and Spain.
Don Carlos López-Lozano
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'till death us do part’. The Afterlife of Early Modern Religious English
Journal of Early Modern Studies, 2022 In 2011 and 2012 two important anniversaries were commemorated by church services, sermons, round tables, conferences and documentaries, during which hyperbolic acclamation (aka AVolatry) was showered on the so-called King James Bible (KJB), also known ...
John Denton
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« Nous sommes d’accord sur presque tout » ; l’impossible compromis ?
Caliban: French Journal of English Studies, 2022 This paper addresses the controversy between Thomas Cranmer, Archbishop of Canterbury (1489-1556), and Stephen Gardiner (c. 1497-1555), late bishop of Winchester, in 1550 and 1551, in the context of the revision of the first English Book of Common Prayer
Monique Vénuat
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Revue Française de Civilisation Britannique, 2017 The multiple sources of the first two versions of the Book of Common Prayer have received a lot of attention from scholars. Thomas Cranmer, who was their principal compiler, had indeed turned to diverse texts for inspiration: the Sarum rite of his ...
Aude de Mézerac-Zanetti
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Revue Française de Civilisation Britannique, 2017 French Reformed minister Eugène Bersier’s liturgy, which he composed for his congregation at the Temple de l’Etoile in Paris in 1874-76, is an example of extensive borrowing from Anglican liturgical tradition.
Stuart Ludbrook
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A Study of Stylistics of the Manuscript of Diwan-e Shur-e Eshgh (Complete Poetical Work of ‘Passion of Love’) Written by Sa’d al-Din Ahmad Ansāri [PDF]
Literary Arts, 2022 The unique manuscript of ‘Shur-e Eshgh’ (Passion of Love) in the forms of Mathnavi (poetry consisting of distiches rhyming between themselves) and Bahr-e Motaghāreb was composed by Ahmad Ansari nicknamed Hāji Sāheb in 10000 lines and written in Naskh ...
Parviz Safarali +3 more
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‘I, the Implacable I’: l’opera di Joan Didion negli anni settanta
Enthymema, 2012 This essay attempts to read Joan Didion’s work in the 1970s (Play It As It Lays, A Book of Common Prayer and The White Album) as resulting from an increasingly sharp aesthetic awareness of the modes, limits and possibilities of literature as personal and
Cinzia Scarpino
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The Political Enforcement of Liturgical Continuity in the Church of England 1558-1662
Revue Française de Civilisation Britannique, 2017 The parliamentary settlement of religion of 1559, which in the Acts of Supremacy and Uniformity recognised the monarch as the supreme governor of the English church and required the church to worship according to the only slightly modified, indisputably ...
Claire Cross
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Rukun Islam Tataran Syariat dan Tarekat dalam Kitab Sirrul Asrar karya Abdul Qadir Al-Jailani
Nalar: Jurnal Peradaban dan Pemikiran Islam, 2022 Many people understand that the implementation of the pillars of Islam is only sufficient at the level of the birth of the Shari'a. In fact, the implementation of the pillars of Islam does not just stop at the level of the Shari'a.
Arif Muzayin Shofwan
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Performing Devotion: Belief, the Body, and the Book of Common Prayer 1775–1840
Humanities, 2018 This article examines three texts published between 1775 and 1840 that attempt to model an ideal reading of the Anglican liturgy and to render it on the printed page, exploring the ways in which elocutionary instruction, acting theory and accounts of ...
Laura Davies
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