Results 11 to 20 of about 43 (42)

Fragmentation and Editing in the Book of Disquiet

MATLIT: Materialities of Literature, 2013
El presente artículo sostiene que las diferentes ediciones del Livro do Desassossego son en cierta manera una desfiguración en la medida que toman decisiones que el escritor no tomó sobre variables textuales y selección de fragmentos. Dentro de la modernidad, donde el «Livro» acontece como horizonte utópico, Pessoa presenta una escritura que no cierra ...
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Fernando Pessoa's Book of Disquiet as a Dynamic Digital Archive

, 2016
Funded by the Foundation for Science and Technology (FCT). Co-funded by the European Regional Development Fund (FEDER), through Axis I of the Competitiveness Factors Operational Program (POFC) of the National Strategic Framework (QREN)—European Union (COMPETE: FCOMP-01-0124-FEDER-019715).
Portela, Manuel, Rito Silva, António
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Cousineau, Thomas J. An Unwritten Novel: Fernando Pessoa’s The Book of Disquiet. London: Dalkey Archive Press, 2013.

Journal of Lusophone Studies, 2014
Bernardo Soares’s remark that “anything and everything, depending on how one sees it, is a marvel or a hindrance, an all or nothing, a path or a problem” may serve to illustrate Thomas Cousineau’s critical move in his recent book An Unwritten Novel: Fernando Pessoa’s The Book of Disquiet.
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The New Book of Disquiet by Jerónimo Pizarro

MATLIT: Materialities of Literature, 2014
Recensión de Jerónimo Pizarro, Livro do Desassossego, Lisboa, Edição Tinta-da-china, 2013, 607 pp.
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LdoD Visual - A Visual Reader for Fernando Pessoa’s Book of Disquiet: An In-Out- In Metaphor

, 2021
There is an increasing use of information visualization techniques in Digital Humanities to support the analysis of literary works. On the other hand, the rise of digital reading on the web as well as the development of dedicated e-book readers has triggered a variety of hardware and software solutions to provide new reading environments and new ...
Raposo, José, Rito Silva, António, Portela, Manuel   +2 more
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Medeiros, Paulo de. <em>Pessoa’s Geometry of the Abyss: Modernity and the Book of Disquiet</em>. Oxford: Legenda, 2013. Print.

Journal of Lusophone Studies, 2016
The title of Paulo de Medeiros’s book cryptically points to a reconsideration of traditional interpretations of the work of Fernando Pessoa. Beyond this, it urges the international academic and lectoral community to update the transnational modernist canon with Pessoa’s work, namely with Bernardo Soares’s Book of Disquiet—for Medeiros, “still one of ...
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'No Problem Has Solution': A Digital Archive of the Book of Disquiet

MATLIT: Materialities of Literature, 2013
El proyecto 'Ningún Problema Tiene Solución: Un Archivo Digital del Libro del Desasosiego' tiene como objetivo crear un archivo digital hipermedia dedicado al  Libro del Desasosiego [LdoD], de Bernardo Soares/Fernando Pessoa. El archivo agregará facsímiles digitales de los materiales documentales del LdoD, transcripciones topográficas de estos ...
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Challenging Modernism: Fernando Pessoa and the Book of Disquiet

, 2013
In this thesis I studied the Book of Disquiet by Portuguese author Fernando Pessoa (1888-1935) in order to determine to what extent the work could be linked to European literary modernism. In the first part of the thesis I focused on text-genetical issues to determine which manuscripts from Pessoa’s legacy belonged to Pessoa’s posthumously published ...
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THE 'SELF' AND 'THE BOOK OF DISQUIET': REFLECTIONS ON AUGUSTO DOS ANJOS AND FERNANDO PESSOA

Matraga, 2014
This essay examines the poetry of Augusto dos Anjos through the concept of “fiction of disquiet”, borrowed from Fernando Pessoa, understood as a melancholic result from the modern tension between the construction of the ego and his intimacy, and the tragic sense of existence in the Western art.
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Where the feeling lets us: embodiment, ekphrasis, description, epiphany on the Book of disquiet, by Fernando Pessoa

, 2020
The centrality of the feeling on the Book of disquiet, by Fernando Pessoa, invites us to read it as a feeling device that produces sensitive and cognitive effects in its audience. It seeks to look closely at the embodiment, the ekphrasis, the description and the epiphany as literary techniques that, combined with the fragment, makes us feel the Book ...
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