Results 11 to 20 of about 486,863 (79)
Os estudos de Boris Eikhenbaum sobre a obra de Mikhail Lérmontov
O presente artigo analisa alguns aspectos dos estudos empreendidos pelo crítico russo Boris Eikhenbaum sobre a obra de Mikhail Lérmontov – mais precisamente, a monografia de 1924, Liérmontov – Ópyt Istóriko-Literatúrnoi Otsiénki (“Lérmontov – Uma ...
Pedro Augusto Pinto +1 more
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BREVE DISCUSSÃO DA ANÁLISE FORMALISTA DE EIKHENBAUM SOBRE O CAPOTE, DE GOGOL
Neste artigo nos propomos a tecer comentário sobre a análise formalista feita por Boris Eikhenbaum da novela O Capote, de Nicolai Gogol. Como parte do desenvolvimento deste texto, apresentamos o resumo da obra que é o objeto da análise, discutimos seu ...
Everton Vasconcelos Pinheiro +1 more
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A rejeição da estética na teoria formalista de Boris Eikhenbaum [PDF]
In taking as its starting point the rejection of the aesthetics in Boris Eikhenbaum’s text “The theory of the ‘Formal Method’” (1925), the paper discusses and exemplifies the process and the political motivation of this denial.
Kempinska, Olga
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The theory of art and emotion in Boris Eikhenbaum\u27s formalist work
Tradução do artigo A teoria da arte e da emoção no trabalho formalista de Boris Eikhenbaum, de Carol Any.Translation of the article The theory of art and emotion in the formalist work of Boris Eikhenbaum, by Carol ...
Any, Carol, Siphone, Raquel Abuin
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Борис Томашевский – рецензент: в лаборатории формального метода
The subject of the article is an analysis of the critical responses of the philologist Boris Tomashevsky (1890-1957), his сontribution to the activities of the “formalist school” during the first half of the 1920’s. Tomashevsky’s reviews in the journals “
Alexander Dmitriev
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L.S. Vygotsky’s Critique: Between Aesthetics, Publitsistika and Psychology
This paper discusses L.S. Vygotsky’s early activity as a critic through an analysis of texts in which the author himself reflects on the task of the critic. Fragments from the essay on Hamlet, Psychology of art and theatrical reviews of the Gomel period (
Marques P.N.
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Victor Shklovsky’s Third Factory is the third part of the so-called “autobiographical trilogy”, which was first published in 1926, i.e. after Shklovsky’s return from abroad, following his unwilling emigration.
Wiktor Szkłowski
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BORIS Portal: Research Data, Projects and Fundings [PDF]
BORIS Portal has been officially launched. BORIS Portal allows researchers at the University of Bern to archive and manage research data, projects and fundings, to make it accessible and clearly ...
Churakova, Olga
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Concepções de montagem em Sokúrov: A síntese com duas vertentes do cinema russo.
Este artigo analisa as teorias e concepções de montagem cinematográfica de Serguei Eisenstein e Andrei Tarkóvski e seus pontos de contato com a prática de montagem do realizador russo Aleksandr Sokúrov (1953-).
Marcos Kahtalian
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Ana Hedberg Olenina: Psychomotor Aesthetics: Movement and Affect in Modern Literature and Film
Review of Ana Hedberg Olenina's Psychomotor Aesthetics: Movement and Affect in Modern Literature and Film (2020).
Amanda Jane Barbour
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