Results 11 to 20 of about 238 (182)
Dracula – "non omnis moriar". Facts and myths from the life of Vlad III the Impaler
Przegląd Nauk Historycznych, 2021 Almost everyone has heard of the cruel Dracula, the vampire coming out of the grave and feeding on the blood of the living to live forever. But who was the prototype of the character who has permanently settled in the contemporary popular culture?
Aleksandra Bartosiewicz
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Fragmented Identities in Circles of Fears and Desires
ABEI Journal, 2007 What has always been considered indivisible, the individual, is, above all, fragmented. That fragmentation is celebrated through the figure of the vampire in the literary narratives of the XIX and XX centuries, hence the multiple identities of that ...
Maria Conceição Monteiro
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Drácula, un acercamiento a la caracterización del personaje vampírico: perspectivas narratológicas
Brumal: Revista de Investigación sobre lo Fantástico, 2017 Este artículo aborda los siguientes presupuestos básicos: a) Exposición de las formas de caracterización del personaje vampírico en su expresión literaria, partiendo del Drácula de Bram Stoker (obra maestra del género vampírico), b) Análisis detallado de
Ana Isabel Bonachera García
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Several Reflections of Dracula: A Case for (Re)Defining and De-centering (Re)Translation[eh1]
İstanbul Üniversitesi Çeviribilim Dergisi, 2021 Postcolonial approaches have brought new insights into translation studies. To date, translation has centered on Western thought and should be decentralized for better understanding.
Erdem Hürer
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Hipnosis, magnetismo animal y monstruosidad en la literatura inglesa de finales del siglo XIX
Asclepio: Revista de Historia de la Medicina y de la Ciencia, 2019 En el presente trabajo exploraremos la imagen literaria del magnetismo animal y de la hipnosis a través del análisis de dos obras de ficción: las novelas El escarabajo (1897) de Richard Marsh y Drácula (1897) de Bram Stoker.
Juan Marcos Bonet Safont
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Истраживања, 2021 Vampires gained worldwide popularity due to the classic novel about the most famous one, Dracula, written by Bram Stoker in 1897. Bram Stoker’s Dracula has very little in common with his inspiration, the fifteenth-century Wallachian ruler Vlad III (1431 ...
ALEKSANDAR RISTIĆ
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Literatura, sensibilidades modernas e cientificismo em Drácula (1897), de Bram Stoker
Diálogos, 2016 A escrita literária, na segunda metade do século XIX, cerca ansiosamente as experiências históricas e os embates culturais, de modo a incrementar a ficção com instâncias de razões e sentimentos, ideias e valores, muitos dos quais voltados à inserção de ...
Evander Ruthieri Saturno da Silva +1 more
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Ja, wampir („Dracula c’est moi”)
Kwartalnik Filmowy, 2001 Od wydania słynnej książki Brama Stokera Dracula minęło ponad sto lat, a tematem rozważań Wałaszewskiego jest zmieniająca się na przestrzeni ostatnich 100 lat figura, znak i symbol wampira w filmach i grach multimedialnych.
Zbigniew Wałaszewski
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(Not So) Safe Houses in Bram Stoker’s The Primrose Path
Review of Irish Studies in Europe, 2019 This article aims to analyse the role safe houses (or houses that are deemed safe by their occupants) play in one of Bram Stoker’s first published works, The Primrose Path (1875).
Manuel Cadeddu
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Literatura i Kultura PopularnaThe author analyzes two contemporary novels: Dracula the Un-Dead by Dacre Stoker (Bram Stoker’s relative) and Ian Holt (2009) and Dracul by Dacre Stoker and J.D. Barker (2018). The main question is whether the modern books can be treated as (respectively)
Krystyna Walc
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