Results 201 to 210 of about 590 (256)
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Queering Intermediality in Brazilian Cinema
2020Relying on the understanding of intermediality as ‘medial transposition’ and ‘medial transformation’ (Rajewsky 2010), this chapter explores ‘in-betweenness’ at a specific moment in Brazilian film history: the surge of erotic films in the 1970s-80s and their intermedial dialogue with the literature from the period, which testifies to the circulation of ...
Ramayana Lira de Sousa +1 more
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Passages on Brazilian scientific cinema
Public Understanding of Science, 2016The article examines the conditions of production and recognition of scientific cinema in Brazil by comparing three distinct moments and contexts: the first moment takes place in the nineteenth century, and it is related to the contribution of a Brazilian astronomer otherwise little known to Brazilian film scholars, the second addresses Benedito ...
Jane, de Almeida +3 more
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2021
Abstract Brazilian cinema is born out of a desire for modernity. Moving images (movies) represented the newest technological innovation. Cinematographers brought to the growing cities of Brazil an idea—and ideal—of “civilization” and contemporaneousness. At the same time, queer identities started to gain visibility.
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Abstract Brazilian cinema is born out of a desire for modernity. Moving images (movies) represented the newest technological innovation. Cinematographers brought to the growing cities of Brazil an idea—and ideal—of “civilization” and contemporaneousness. At the same time, queer identities started to gain visibility.
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2018
Studies of Brazilian cinema came to the fore in the 1960s and 1970s with the emergence of the avant-garde, politicized Cinema Novo, which dialogued with New Wave cinemas in Europe, particularly France, and in other parts of Latin America. Several landmark studies by scholars such as Ismail Xavier and Randal Johnson analyzed the movement in depth and ...
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Studies of Brazilian cinema came to the fore in the 1960s and 1970s with the emergence of the avant-garde, politicized Cinema Novo, which dialogued with New Wave cinemas in Europe, particularly France, and in other parts of Latin America. Several landmark studies by scholars such as Ismail Xavier and Randal Johnson analyzed the movement in depth and ...
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Bulletin of Latin American Research, 1984
Over two decades have passed since Cinema Novo burst upon and profoundly altered the Brazilian cinematic and cultural scene. In these two decades, many things have changed in Brazil. The populist government of the early 1960s was quite unceremoniously removed by a 1964 military coup dfetat and replaced by a military regime which only now appears to be ...
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Over two decades have passed since Cinema Novo burst upon and profoundly altered the Brazilian cinematic and cultural scene. In these two decades, many things have changed in Brazil. The populist government of the early 1960s was quite unceremoniously removed by a 1964 military coup dfetat and replaced by a military regime which only now appears to be ...
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Brazilian Cinema and Moviegoing
2020Abstract As the world’s fifth most populous nation and by far the largest Portuguese-speaking country, Brazil possesses a massive media market. Despite factors boosting demand for homegrown audiovisual content, the fortunes of the country’s film industry—prized as a means of expressing national identity and as a testament to ...
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Film Quarterly, 1978
1. W.A. Shurcliff. Bombs at Bikini, The Official Report of Operation Crossroads, New York, 1947. pp. 151-52. 2. Terry Riley. RAINBOW IN CURVED AIR, Columbia Records, New York. 3. Rosalind Krauss. Video: The Aesthetics of Narcissism, October, Spring, 1976, New York.
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1. W.A. Shurcliff. Bombs at Bikini, The Official Report of Operation Crossroads, New York, 1947. pp. 151-52. 2. Terry Riley. RAINBOW IN CURVED AIR, Columbia Records, New York. 3. Rosalind Krauss. Video: The Aesthetics of Narcissism, October, Spring, 1976, New York.
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Brazilian Cinema and the Aesthetics of Ruins
2022Guilherme Carrera’s compelling book examines imagery of ruins in contemporary Brazilian documentary film-making and considers these representations in the context of Brazilian society. Carrera groups these films into three distinct types: firstly, unconventional documentaries focused on Brasília - The Age of Stone (2013) and White Out, Black In (2014));
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