Results 251 to 260 of about 50,362 (307)
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Film Quarterly, 1978
1. W.A. Shurcliff. Bombs at Bikini, The Official Report of Operation Crossroads, New York, 1947. pp. 151-52. 2. Terry Riley. RAINBOW IN CURVED AIR, Columbia Records, New York. 3. Rosalind Krauss. Video: The Aesthetics of Narcissism, October, Spring, 1976, New York.
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1. W.A. Shurcliff. Bombs at Bikini, The Official Report of Operation Crossroads, New York, 1947. pp. 151-52. 2. Terry Riley. RAINBOW IN CURVED AIR, Columbia Records, New York. 3. Rosalind Krauss. Video: The Aesthetics of Narcissism, October, Spring, 1976, New York.
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Review: Literature and Arts of the Americas, 2011
When, in 1990, President Fernando Collor de Mello dismantled the state film agency Embrafilme, Brazilian cinema “plunged into one of the worst crises of its history” (Johnson 2006, 117).
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When, in 1990, President Fernando Collor de Mello dismantled the state film agency Embrafilme, Brazilian cinema “plunged into one of the worst crises of its history” (Johnson 2006, 117).
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2018
Studies of Brazilian cinema came to the fore in the 1960s and 1970s with the emergence of the avant-garde, politicized Cinema Novo, which dialogued with New Wave cinemas in Europe, particularly France, and in other parts of Latin America. Several landmark studies by scholars such as Ismail Xavier and Randal Johnson analyzed the movement in depth and ...
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Studies of Brazilian cinema came to the fore in the 1960s and 1970s with the emergence of the avant-garde, politicized Cinema Novo, which dialogued with New Wave cinemas in Europe, particularly France, and in other parts of Latin America. Several landmark studies by scholars such as Ismail Xavier and Randal Johnson analyzed the movement in depth and ...
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Queering Intermediality in Brazilian Cinema
2020Relying on the understanding of intermediality as ‘medial transposition’ and ‘medial transformation’ (Rajewsky 2010), this chapter explores ‘in-betweenness’ at a specific moment in Brazilian film history: the surge of erotic films in the 1970s-80s and their intermedial dialogue with the literature from the period, which testifies to the circulation of ...
Ramayana Lira de Sousa +1 more
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2014
At first glance, contemporary Brazilian cinema seems to be the byproduct of a mid-1990s renaissance in national film production. Accordingly, to better understand contemporary Brazilian cinema, it is advisable to recall the Brazilian film industry’s situation in the 1980s.
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At first glance, contemporary Brazilian cinema seems to be the byproduct of a mid-1990s renaissance in national film production. Accordingly, to better understand contemporary Brazilian cinema, it is advisable to recall the Brazilian film industry’s situation in the 1980s.
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Brazilian Cinema and Moviegoing
2020As the world’s fifth most populous nation and by far the largest Portuguese-speaking country, Brazil possesses a massive media market. Despite factors boosting demand for homegrown audiovisual content, the fortunes of the country’s film industry—prized as a means of expressing national identity and as a testament to technological modernity—have ...
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Recent Brazilian Cinema: Allegory/Metacinema/Carnival
Film Quarterly, 1988A new generation of Brazilian film-makers is emerging and films like Suzana Amaral's A Hora da Estrela (Hour of the Star), Sergio Resende's O Homen da Capa Preta (Man in the Black Cape), and Chico Botelho's Cidade Oculta (Hidden City) are attracting large popular audiences. Brazilian films are again winning international prizes ("Best Actress" for Hour
Ismail Xavier, Robert Stamm
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Stars and Stardom in Brazilian Cinema
2016Despite the recent explosion of scholarly interest in “star studies,” Brazilian film has received comparatively little attention. As this volume demonstrates, however, the richness of Brazilian stardom extends well beyond the ubiquitous Carmen Miranda.
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The Modern Foundations of Brazilian Cinema
2018The introductory chapter outlines a theory of early cinema in Brazil and its relationship to the country’s invention of modernity. Theories and examinations of early film’s relationship to modernity have by and large focused on the medium’s links to changes and transformations wrought by the advent of industrialization. Noting that such transformations
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