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Woman-Centered Brazilian Cinema: Filmmakers and Protagonists of the Twenty-First Century, Jack A. Draper III and Cacilda M. Rêgo (2022)

Studies in Spanish & Latin American Cinemas, 2023
Review of: Woman-Centered Brazilian Cinema: Filmmakers and Protagonists of the Twenty-First Century, Jack A. Draper III and Cacilda M.
Natália Pinazza
semanticscholar   +1 more source

The artefacts of black Brazilian cinema: from aesthetics to content and their media supports without dystopian perspectives

2022 Third International Conference on Digital Creation in Arts, Media and Technology (ARTeFACTo), 2022
Brazilian black cinema involves a complexity of meanings and significances. In certain situations, the word directly implies the black subjects who make the work, such as scriptwriters, producers and directors, and the subjects who act, such as black ...
Celso Prudente   +2 more
semanticscholar   +1 more source

Brazilian Queer Cinema

2021
Brazilian cinema is born out of a desire for modernity. Moving images (movies) represented the newest technological innovation. Cinematographers brought to the growing cities of Brazil an idea—and ideal—of “civilization” and contemporaneousness. At the same time, queer identities started to gain visibility.
openaire   +1 more source

Passages on Brazilian scientific cinema

Public Understanding of Science, 2016
The article examines the conditions of production and recognition of scientific cinema in Brazil by comparing three distinct moments and contexts: the first moment takes place in the nineteenth century, and it is related to the contribution of a Brazilian astronomer otherwise little known to Brazilian film scholars, the second addresses Benedito ...
Jane, de Almeida   +3 more
openaire   +2 more sources

Towards lesbian bodylands: Refiguring lesbian communities in Brazilian cinema

Moving Image Review & Art Journal (MIRAJ), The
This article takes up Amy Villarejo’s question about the costs of lesbian visibility, including the risk of commodification and the tendency to frame lesbian identity as stable and easily readable.
A. Brandão, Ramayana Lira de Sousa
semanticscholar   +1 more source

Black Saints in Brazilian Cinema: Representation, Spirituality, and Cultural Identity.

AVANCA CINEMA
Black saints hold significant historical and symbolic relevance, serving as resistance, spirituality, and identity figures for Afro-descendant communities.
Selma Pereira   +2 more
semanticscholar   +1 more source

The Empty Boat: Meteorango Kid and Brazilian Cinema Marginal

, 2020
This article considers André Luiz Oliveira’s Meteorango Kid – O herói intergalático (1969), an important yet often overlooked contribution to Brazilian Cinema Marginal of late 1960s and early 1970s. These low-budget, black and white cinematic productions
Christopher Dunn
semanticscholar   +1 more source

Underlying conflicts between Vladimir Herzog and Paulo Emílio Salles Gomes? Different views on Brazilian cinema during the 1960s

Passagens
From an intellectual historical perspective, this essay analyzes the political-ideological disputes behind different projects for Brazilian cinema in the 1960s, focusing on two key figures: Paulo Emílio Salles Gomes and Vladimir Herzog.
Ricardo Borrmann   +4 more
semanticscholar   +1 more source

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