Results 291 to 300 of about 51,186 (350)
Some of the next articles are maybe not open access.
Related searches:
Related searches:
2021
Brazilian cinema is born out of a desire for modernity. Moving images (movies) represented the newest technological innovation. Cinematographers brought to the growing cities of Brazil an idea—and ideal—of “civilization” and contemporaneousness. At the same time, queer identities started to gain visibility.
openaire +1 more source
Brazilian cinema is born out of a desire for modernity. Moving images (movies) represented the newest technological innovation. Cinematographers brought to the growing cities of Brazil an idea—and ideal—of “civilization” and contemporaneousness. At the same time, queer identities started to gain visibility.
openaire +1 more source
Passages on Brazilian scientific cinema
Public Understanding of Science, 2016The article examines the conditions of production and recognition of scientific cinema in Brazil by comparing three distinct moments and contexts: the first moment takes place in the nineteenth century, and it is related to the contribution of a Brazilian astronomer otherwise little known to Brazilian film scholars, the second addresses Benedito ...
Jane, de Almeida +3 more
openaire +2 more sources
Bulletin of Latin American Research, 1984
Over two decades have passed since Cinema Novo burst upon and profoundly altered the Brazilian cinematic and cultural scene. In these two decades, many things have changed in Brazil. The populist government of the early 1960s was quite unceremoniously removed by a 1964 military coup dfetat and replaced by a military regime which only now appears to be ...
openaire +1 more source
Over two decades have passed since Cinema Novo burst upon and profoundly altered the Brazilian cinematic and cultural scene. In these two decades, many things have changed in Brazil. The populist government of the early 1960s was quite unceremoniously removed by a 1964 military coup dfetat and replaced by a military regime which only now appears to be ...
openaire +1 more source
Film Quarterly, 1978
1. W.A. Shurcliff. Bombs at Bikini, The Official Report of Operation Crossroads, New York, 1947. pp. 151-52. 2. Terry Riley. RAINBOW IN CURVED AIR, Columbia Records, New York. 3. Rosalind Krauss. Video: The Aesthetics of Narcissism, October, Spring, 1976, New York.
openaire +1 more source
1. W.A. Shurcliff. Bombs at Bikini, The Official Report of Operation Crossroads, New York, 1947. pp. 151-52. 2. Terry Riley. RAINBOW IN CURVED AIR, Columbia Records, New York. 3. Rosalind Krauss. Video: The Aesthetics of Narcissism, October, Spring, 1976, New York.
openaire +1 more source
Review: Literature and Arts of the Americas, 2011
When, in 1990, President Fernando Collor de Mello dismantled the state film agency Embrafilme, Brazilian cinema “plunged into one of the worst crises of its history” (Johnson 2006, 117).
openaire +1 more source
When, in 1990, President Fernando Collor de Mello dismantled the state film agency Embrafilme, Brazilian cinema “plunged into one of the worst crises of its history” (Johnson 2006, 117).
openaire +1 more source
2018
Studies of Brazilian cinema came to the fore in the 1960s and 1970s with the emergence of the avant-garde, politicized Cinema Novo, which dialogued with New Wave cinemas in Europe, particularly France, and in other parts of Latin America. Several landmark studies by scholars such as Ismail Xavier and Randal Johnson analyzed the movement in depth and ...
openaire +1 more source
Studies of Brazilian cinema came to the fore in the 1960s and 1970s with the emergence of the avant-garde, politicized Cinema Novo, which dialogued with New Wave cinemas in Europe, particularly France, and in other parts of Latin America. Several landmark studies by scholars such as Ismail Xavier and Randal Johnson analyzed the movement in depth and ...
openaire +1 more source
Queering Intermediality in Brazilian Cinema
2020Relying on the understanding of intermediality as ‘medial transposition’ and ‘medial transformation’ (Rajewsky 2010), this chapter explores ‘in-betweenness’ at a specific moment in Brazilian film history: the surge of erotic films in the 1970s-80s and their intermedial dialogue with the literature from the period, which testifies to the circulation of ...
Ramayana Lira de Sousa +1 more
openaire +1 more source
2014
At first glance, contemporary Brazilian cinema seems to be the byproduct of a mid-1990s renaissance in national film production. Accordingly, to better understand contemporary Brazilian cinema, it is advisable to recall the Brazilian film industry’s situation in the 1980s.
openaire +1 more source
At first glance, contemporary Brazilian cinema seems to be the byproduct of a mid-1990s renaissance in national film production. Accordingly, to better understand contemporary Brazilian cinema, it is advisable to recall the Brazilian film industry’s situation in the 1980s.
openaire +1 more source