Results 11 to 20 of about 27,910 (153)
Understandings and critiques of biocultural diversity conservation and future recommendations for conservation actors. [PDF]
Conserv BiolAbstract As biocultural approaches to conservation gain traction (e.g., through international commitments to Indigenous Peoples and local communities) and external conservation actors increasingly seek to engage with on‐the‐ground holders of biocultural diversity, improved understanding is needed of what biocultural diversity means.
York NDL.
europepmc +2 more sources
Traces of the (m)other: deconstructing hegemonic historical narrative in Teat(r)o Oficina Uzyna Uzona's Os Sertões [PDF]
, 2012 This article focuses on the way in which renowned São Paulo-based theatre company Teat(r)o Oficina Uzyna Uzona deconstructs hegemonic historical narrative in their 2000 - 2007 25 hour-long production of Euclides da Cunha’s seminal Brazilian novel Os ...
Albuquerque Jr Durval Muniz de +8 more
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Unearthing Ethnocentrism in Music Research: Latin American Experiences with Ethnomusicology [PDF]
, 2009 Latin American ...
Santamaria, Carolina
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Fashion in Bolivia’s cultural economy [PDF]
, 2018 This article explores the development of Chola Paceña fashions in La Paz, Bolivia. It traces the social and political lineage of the distinctive pollera dress, and its role in traditions that continue to underpin Aymaran social networks and economies ...
Maclean, Kate
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Didá: Empowering Afro-Brazilian Women through the Arts [PDF]
, 2007 Latin American ...
Arsenault, Natalie
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, 2013 The Tempest. Dir. Silviu Purcarete. The National Theatre “Marin Sorescu” of Craiova, Romania. 16th Shakespeare Festival, Gdansk, Poland Richard III. Dir. Gabriel Villela. Blanes Museum Garden, Montevideo, Uruguay Henry V. Dir.
Bogdańska Olga +3 more
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Tom Zé's Fabrication Defect and the “Esthetics of Plagiarism”: a postmodern/postcolonial “Cannibalist Manifesto” [PDF]
, 2017 On his 1998 album Fabrication Defect the Brazilian composer-performer Tom Zé articulates the discourses of postmodernity and postcoloniality. More than simply touching on various aspects of ‘‘post-ness,’’ Zé forges from them an updated manifesto premised
Rollefson, J. Griffith
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Musical identities, learning and education: Some cross-cultural issues [PDF]
, 2011 In sum, the aims of this paper are to consider some of the ways in which individual musical identities are formed through formal and informal music-learning across a range of contexts afforded by the contemporary dialectical relations between local and ...
Green, Lucy
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Floating Texts: Listening Practices in the Accounts of Foreign River Expeditions in Brazil
HumanitiesWestern written travel narratives are a byproduct of the privileging of vision as the primary means of knowledge production, an epistemology often imposed on indigenous peoples through colonial practices.
Fernando G. Cespedes
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