Results 11 to 20 of about 3,029,523 (145)

Coloniality and Decolonial Alternatives in Brazilian Higher Music Education

ISME Research Commission Conference Proceedings
The colonization process in Brazil, which started in 1500 and ended officially in 1822, still has a strong influence on Brazilian music education. Thus, music education in Brazil is majoritarian based on colonial traits, as evidenced by several studies in this context.
Silva Queiroz, Luis Ricardo
openaire   +2 more sources

The interdisciplinarity of rhetoric and its influence in colonial Brazilian music

, 2021
: In certain music of the late sixteenth century to early nineteenth century, rhetoric shows itself as an indispensable component for its use, combined with grammar, as well as its adjustment in the musical structures of the time, to be understood and ...
Eliel Almeida Soares (12734011), Rubens Russomanno Ricciardi (12734014)   +1 more
core   +1 more source

Songs Of The People: the use of folkloric and traditional Brazilian music styles by contemporary Brazilian composers [PDF]

, 2020
This thesis investigates the influence of folkloric and traditional Brazilian music genres in the work of contemporary Brazilian composers. It demonstrates that traditional Brazilian music styles are an intrinsic element of contemporary Brazilian music ...
Duarte Martins, Joao Tiago
core   +1 more source

Modernist Crossings in Brazilian Music, 1918–1954 [PDF]

, 2023
During the first half of the twentieth century, Brazilian music was an object of scrutiny in Brazil and elsewhere. The disputes that swirled around the meanings of Brazilian music formed part of the process of emancipation from the nation’s colonial and ...
Sato, Eduardo
core   +1 more source

The Latin Music Database [PDF]

, 2008
In this paper we present the Latin Music Database, a novel database of Latin musical recordings which has been developed for automatic music genre classification, but can also be used in other music information retrieval tasks.
Celso A. A. Kaestner, Alessandro L. Koerich, Carlos Nascimento Silla Jr., Silla Jr, Carlos N., Koerich, Alessandro L., Kaestner, Celso A.A.   +5 more
core   +1 more source

Brazilian colonial fish records [56].

, 2016
Brazilian colonial fish records [56].
Tânia Lima (3161652), Maria Cristina Tenório (3161664), Orangel Aguilera Socorro (3161658), Cassiano Monteiro-Neto (316702), Rosa Souza (3161667), Acácio Ribeiro Gomes Tomas (3161646), Jorge Domingo Carrillo-Briceño (3161640), Manuel Haimovici (527395), Kita Macario (3161655), Carla Carvalho (602417), Mariana Samôr Lopes (3161649), Luciano Rapagnã (3161670), Thayse Cristina Pereira Bertucci (3161643), Rafael de Almeida Tubino (3161661)   +13 more
core   +1 more source

Floating Texts: Listening Practices in the Accounts of Foreign River Expeditions in Brazil

Humanities
Western written travel narratives are a byproduct of the privileging of vision as the primary means of knowledge production, an epistemology often imposed on indigenous peoples through colonial practices.
Fernando G. Cespedes
doaj   +1 more source

‘Fine Men from Afar’: Cricket and Empire on the Home Front

History, EarlyView.
Abstract During the Second World War, contrary to enduring images of bombardment and scarcity, people on Britain's ‘Home Front’ continued to take part in a broad array of sporting activities. Cricket played a more significant role in the wartime sporting landscape than many historians have previously recognized.
Michael Collins
wiley   +1 more source

Proud to be a Goan: colonial memories, post-colonial identities and music [PDF]

, 2010
During 451 years of colonial history, catholic Goans used music as a mediator of identity negotiation. In a political context repressing musical sonority of Indian flavour, in which Portuguese was the official language, catholic Goans created their own ...
Sardo, Susana
core  

Sino‐Mexican Encounters Before the ‘Diplomatic Opening’: Exhibition Diplomacy and Grassroots Friendship in the 1960s

History, EarlyView.
Abstract During the 1960s, Mexico's Institutional Revolutionary Party (PRI) embraced Chinese overtures for a commercial opening as consistent with its anti‐imperialist posture, thereby foreshadowing the diplomatic opening to China in 1972. Yet this professed ideological pluralism was eclipsed by an underlying allegiance to the United States' anti ...
YIXIN TIAN
wiley   +1 more source