Results 201 to 210 of about 87,558 (252)
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Introduction: Brazilian musics, Brazilian identities
British Journal of Ethnomusicology, 2000This introduction provides an overview of the development of musicological research in Brazil since the late nineteenth century as a means of situating the contributions in this issue in relation to ongoing debates within Brazilian intellectual circles.
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Music tonality emotions in Brazilian musical-theory naïve individuals
Percepta - Revista de Cognição Musical, 2023It is elusive if musical-theory naïve individuals have the same emotional perception as pro-fessionals. This study aims to investigate emotions associated with music keys. We asked 40 musical-theory naïve individuals to label keys. Positive, negative, and neutral emotions were referred by 45, 20, and 34% of the participants for major keys, and 20, 45 ...
Fernando Herbella, Thays Vaiano
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Brazilian Popular Music and Citizenship
2011Contents Introduction: Music as Practice of Citizenship in Brazil - Idelber Avelar and Christopher Dunn Dissonant voices under a one-rule regime: Music and Labor in Estado Novo - Adalberto Paranhos Orpheonic Chant and the Construction of Childhood in Brazilian Elementary Education - Flavio Oliveira Farewell to MPB - Carlos Sandroni Tom Ze and the Idea ...
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Brazilian Electroacoustic Music Concert
Computer Music Journal, 1997made up of complex, jagged, distorted sounds. Its dynamic, almost melodramatic nature is exaggerated by the use of industrial noises and of "dirty" sources that are granulated beyond recognition. The pieces fit together to make a strong experience of communication, of a "message," to use the title of another of Mr. Roads's pieces.
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Brazilian Identities and Musical Performances
Diogenes, 2000… our faults do not allow our qualities to show themselves to best effect. That is why, at the moment, Brazilians are a people of intermittent qualities and permanent faults.Mário de Andrade, Essai sur la musique brésilienne, 1928This paper sets out to discuss the use and power of music in representing social identities, concentrating on the more ...
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2000
Abstract In 1959 the release of the Brazilian film Black Orpheus introduced the musical bounty of Brazil to international audiences. The award-winning film presented many viewers with their first glimpse of the authentic music and culture of Brazil, one of the largest and most populous countries in the world.
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Abstract In 1959 the release of the Brazilian film Black Orpheus introduced the musical bounty of Brazil to international audiences. The award-winning film presented many viewers with their first glimpse of the authentic music and culture of Brazil, one of the largest and most populous countries in the world.
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Theoretical Frameworks in Brazilian Electroacoustic Music
Organised Sound, 2016This article is the final stage of seven years of research dedicated to understanding the theoretical backgrounds of Brazilian electroacoustic music in which a significant amount of data was gathered from a series of questionnaires and interviews with Brazilian composers.
Rodrigo Cicchelli Velloso +4 more
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Chiquinha Gonzaga, Brazilian Musical Trailblazer
2019Previous literature on the life and music of the Brazilian composer Francisca Edwiges Neves Gonzaga (1847-1935) reveals her as a historical figure of cultural and musical significance. Her contributions to society include political leadership in Brazilian campaigns for the abolition of slavery and artistic copyright.
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Brazilian Popular Music and Globalization
Hispania, 2002Steven F. Butterman +2 more
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Oral Tradition and Brazilian Popular Music
Yearbook for Traditional Music, 2002Oral tradition is the theme for the event that we are initiating now. We will attempt to present a synthesis of the emergence and development of popular music and its importance in Brazilian culture. It is our intention to present a brief summary of all this trajectory throughout the national territory, particularly focusing, though, on popular music ...
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