Results 71 to 80 of about 112,794 (210)

Bob Marley and Sepultura: Representations of War in Reggae and Metal Music

Diffractions
In 1976, Bob Marley adopted lyrics from Haile Selassie's United Nations Address (1963) in his song “War”, aligning the idea of war with diasporic sentiments, resistance, and postcolonialism.
Thales Reis Alecrim
doaj   +1 more source

“Vem Pra Rua”: Music, Race and Social Media in the Brazilian World Cup Protests of 2013

The Journal for Undergraduate Ethnography, 2016
In Brazil, music and citizenship have long gone hand in hand. Based upon fieldwork in Salvador, Bahia, this article seeks to answer the following question: What is the relationship between Afro-Brazilian percussion, black identity, and youth activism? To
G. Maris Jones
doaj   +1 more source

Swimming in Histories of Gender Oppression: Grupo XIX de Teatro's Hysteria [PDF]

, 2010
Hysteria, first performed in Sao Paulo, Brazil, in 2001, was assembled from oral histories, medical cases, records, and remnants documenting the lives of Brazilian women from the late nineteenth and early twentieth centuries who were incarcerated in Rio ...
Aston, Elaine
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Song and morphometric comparison among Arremon taciturnus populations in Northeastern Brazil

Acta Brasiliensis, 2018
Recent studies indicate that the seasonal forests of the Brazilian Northeast are formed by two distinct biogeographic units, one related to the Atlantic Coastal Forest and another to the caatinga domains.
Wilmara Guedes Lucena, Erich de Freitas Mariano   +1 more
doaj   +1 more source

[Voices of madness in song: outlooks on madness and the insane in Brazilian songs].

Ciencia & saude coletiva, 2012
This article is the result of research associated with the representation of madness and the insane in contemporary Brazilian songs. Michel Foucault's considerations about the history of madness and those of Mary Jane Spink about discursive practices and the production of meaning formed the theoretical base for the study.
João Paulo Pereira, Barros, Maria Salete Bessa, Jorge   +1 more
openaire   +1 more source

MAINTAINING FIRST LANGUAGE: BILINGUALS’ VOICES [PDF]

, 2014
Indonesia is known as a multicultural country which has thousand different languages Most of its citizens are believed to be able to communicate by using two or morelanguages. This qualitative research, by employing case study approach, was done withthe
Abrar, Mukhlash
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O dodecafonismo peculiar de Cláudio Santoro: Análise do ciclo de canções A Menina Boba

Opus, 2008
This article aims at investigating the technical aspects of the so-called “non- orthodox” serialism of the Grupo Musica Viva, an aesthetic current in Brazilian music of the 1940s.
Carlos de Lemos Almada
doaj  

THE COMSUMPTION OF ALCOHOLIC BEVERAGES PORTRAYED BY THE BRAZILIAN COUNTRY MUSIC: REFLECTION OF VALUES AND BELIEFS IN THE COUNTERCURRENT

Travessias, 2011
This study aims at analyzing how the sociological theory of Bourdieu provides concepts that allow a reading of the Brazilian country music nowadays. For this article, we chose the song Problema Meu, by Tch Garotos, aiming to verify how the field concept
Alexandre Zanella, Mariana Lioto
doaj  

Imaginando Palmares: a obra de Gayl Jones Imagining Palmares: the work of Gayl Jones

Revista Estudos Feministas, 2005
O longo poema narrativo Song for Anninho (1981), da escritora negra Gayl Jones (Estados Unidos), interfere na narrativa da história colonial brasileira ao resgatar a figura feminina na República de Palmares, reescrever a saga de resistência dos ...
Stelamaris Coser
doaj   +1 more source

Iberia, October 5, 1992 [PDF]

, 1992
This is the concert program of the Iberia performance on Monday, October 5, 1992 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue.
School of Music, Boston University
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