Results 31 to 40 of about 624 (118)
Móin-Móin, 2018 This article discusses the basic principles, guidelines and processes for the registration of Northeast ern Popular Puppet Theater - Mamulengo, Babau, João Redondo and Cassimiro Coco - as part of Brazil’s cultural heritage.
Izabela Brochado
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TRACES OF JOAN OF ARC IN LITERATURE AND BRAZILIAN THEATER
Travessias, 2016 The purpose of this work is to check whether there was and how it gave a possible intertextual presence of the mythical-historical figure of Joan of Arc in literature and drama of Brazilian theater.
Helciclever Barros da Silva Vitoriano +2 more
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Rasga Coração, de Vianinha, e Hair: aproximação e distanciamento num contexto de contracultura
Estudos de Literatura Brasileira Contemporânea, 2015 Considering the plays’ formal and content structure, and the political and cultural movements of the 60’s and 70’s youth the counterculture among them in the North - American context and in the B razilian historical ...
Éwerton Silva de Oliveira
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História, 2005 Este artigo discute a maneira pela qual a história do Teatro de Arena (São Paulo) tem sido escrita, por meio de depoimentos de seus integrantes e de teses, dissertações e ensaios acadêmicos.
Rosangela Patriota
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Revista Brasileira de Estudos da Presença, 2022 In this article it is analyzed the presence of peasants in the Brazilian theater, in a historical perspective from the pre-coup of 1964 until the recent period, in which connections were established between social movements like MST and political theater
Rafael Litvin Villas Bôas +1 more
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Artists from Parana* and their audience formation processes
Travessias, 2019 This study analyzes the formation of theatrical spectators from actions taken by the artists themselves of the contemporary theatrical scene from Paraná, from the cities of Curitiba and Araucária.
Sara Dobginski de Moraes +1 more
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The Taint of Violence: insurgent voices in Brazilian Black Theatre
Revista Brasileira de Estudos da Presença, 2012 – Ethnology studies report issues related to theatricality and spectacularity both in the scenic and ritual fields. Thus, theatre is one of the supports in ethnoscenological research, and this work focuses on Black Theater.
Marcos Antônio Alexandre
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De-centering Theatrical Heritage: Forum Theater in Contemporary Senegal
African Studies Quarterly, 2014 The current state of Senegalese theater is a source of concern for a number of the country’s most prominent directors and performers, many of whom have come to doubt the efficacy of the centralized cultural policies that have led to the construction of ...
Brian Quinn
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A carteira fatal – (Sobre)vivência do melodrama no interior do Brasil
Pitágoras 500, 2013 This paper analyzes the text of melodrama The fatal wallet presented in 1980 by members of Shalom Youth Group in the city of Antonio Gonçalves. First, the paper presents some characteristics of the melodramatic genre and points out the Catholic Church as
Reginaldo Carvalho +1 more
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Pitágoras 500, 2012 The present work stand as an exercise in an attempt of pointing out some fundamental issues of Décio de Almeida Prado’s thoughts in which regards the formation of the Brazilian modern theater.
Berilo Luigi Deiró Nosella
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