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The Brecht Yearbook / Das Brecht-Jahrbuch 46

2021
Annual volume with contributions on writers and artists whose work intersects with Brecht's from three thematic perspectives: Brecht in a global age, women and Brecht, and Brecht's learning plays.
exaly   +3 more sources

The Brecht Yearbook / Das Brecht-Jahrbuch 44

2019
Annual volume, this time featuring special sections on Brecht's dramatic fragments and on comedy in post-Brechtian theater, along with a variety of other contributions.
exaly   +3 more sources

InstaStan – FaceBrook – Brecht+: a performer training methodology for the age of the internet

Theatre, Dance and Performance Training, 2019
What do we do with a cohort of student-performers who show more interest in Instagram than in Konstantin Stanislavski, in Facebook than in Peter Brook and in Google than in Bertolt Brecht?
S. Crews, Christina Papagiannouli
semanticscholar   +1 more source

Brecht

Theatre in Practice, 2018
Nick O'Brien   +2 more
openaire   +2 more sources

Brecht/“brecht”: A Symposium

Theater, 1994
Last spring, we asked a number of critics, scholars, and directors who are concerned with Brecht's work whether they'd been affected by the last few years' spate of articles about the role of Brecht's female collaborators. Did giving new weight to the contribution of a woman assistant or co-author make any difference in how a director staged a play, or
openaire   +1 more source

Brecht As Director

TDR (1967), 1967
Much has been written about Brecht in this country, some—though not enough—of his theoretical writings have been translated, and most of his plays have been published in English. From all of this, people quite naturally get the idea that Brecht was primarily a poet and playwright ...
openaire   +1 more source

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