Results 1 to 10 of about 62,507 (261)

Art: British Art Show 8 : Blurring the Lines [PDF]

open access: yesBr J Gen Pract, 2016
British Art Show 8 Curated by Anna Colin and Lydia Yee, Leeds Art Gallery, free entry. From 9 October 2015–10 January 2016 Then touring to venues in Edinburgh, Norwich, and Southampton in 2016–2017 Sixty years ago my dad wandered the polluted streets of Leeds looking for respite from his life of textile mill drudgery.
europepmc   +3 more sources

British Constructivist Art

open access: yesBritish Art Studies, 2016
This case study takes as its object the exhibition British Constructivist Art, which toured the United States and Canada in 1961 and 1962. The exhibition is discussed in relation to the interests apparent in the work that it presented, but the main ...
Sam Gathercole
doaj   +3 more sources

Real/Life: New British Art and the Reception of Contemporary British Art in Japan

open access: yesBritish Art Studies, 2016
This essay explores the ways in which the exhibition Real/Life: New British Art was conceived and received in Japan, where contemporary British art has been shown since the 1960s.
Kajiya Kenji
doaj   +2 more sources

British Art after Brexit

open access: yesBritish Art Studies, 2021
What does it mean to correlate art and art history with “nation”? At the time of publication, the full impact and effects of the United Kingdom’s withdrawal from the European Union are just beginning to manifest. In this feature, we are interested in the
Jenny Gaschke   +11 more
doaj   +1 more source

Bill Brandt: Photography and the Printed Page

open access: yesBritish Art Studies, 2020
This cover collaboration explores the photography of Bill Brandt (1904–1983) from the perspective of the physical print, drawing attention to its material qualities and practical functions.
Martina Droth   +3 more
doaj   +1 more source

The Rise and Fall of the “Clerks”: British Art History, 1950–1970

open access: yesBritish Art Studies, 2023
This article analyses the debates about the professionalisation of the study of British art between about 1950 and 1970, focusing predominantly on the activities of the Paul Mellon Foundation for British Art, and its attempts to establish “foundations ...
Hans C. Hönes
doaj   +1 more source

Tiktoking COVID-19 with frontline workers

open access: yesDigital Health, 2023
Introduction/Objective During the COVID-19 pandemic, frontline workers have taken to social media platforms to discuss a variety of issues that concern their personal and professional lives.
Ahmed Al-Rawi, Kiana Zemenchik
doaj   +1 more source

Histoire de l’art britannique 1750-1850 : un état des lieux

open access: yesPerspective, 2007
Thanks to the active collaboration between universities, museums (Tate Britain, Yale Centre for British Art) and research centres (Warburg Institute, Paul Mellon Center), studies on British art from the period between 1750 and 1850 have been remarkably ...
David Bindman, Frédéric Ogée
doaj   +1 more source

Abstraction’s Ecologies: Post-Industrialization, Waste and the Commodity Form in Prunella Clough’s Paintings of the 1980s and 1990s

open access: yesBritish Art Studies, 2015
This article’s aims are twofold: firstly, it argues that Prunella Clough’s engagement with consumer items in her paintings of the 1980s and 1990s constitute a sustained engagement with the fluctuating nature of the commodity form, moving beyond the ...
Catherine Spencer
doaj   +1 more source

Synergizing Natural and Artificial Lighting in Museum Environments: A Performance-Based Analysis of Visual Comfort and Conservation. [PDF]

open access: yesMaǧallaẗ Buḥūṯ fi Al-ʿulūm wa Al-Funūn Al-Nawʿiyyaẗ
This paper explores the integration of natural and artificial lighting within museum environments and its impact on visual comfort, conservation requirements, spatial experiences, and energy performance.
Bernadette youssef Sobhy youssef   +2 more
doaj   +1 more source

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