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Hughes's Reverspectives: Radical Uses of Linear Perspective on Non-Coplanar Surfaces. [PDF]
Papathomas TV, Hughes P.
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Tsetse fly (Glossina pallidipes) midgut responses to Trypanosoma brucei challenge. [PDF]
Bateta R +7 more
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Tobacco smoke affects expression of peroxisome proliferator-activated receptor-gamma in monocyte/macrophages of patients with coronary heart disease. [PDF]
Amoruso A +8 more
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Brunelleschi's Perspectives Reconsidered
Perception, 1980Accounts by Brunelleschi's biographers of the discovery of linear perspective are briefly reexamined. It is suggested that Brunelleschi's familiarity, as a clockmaker, with sundials may have suggested to him a method of drawing perspectives without recourse to geometrical construction from plans and elevations.
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Filippo di ser Brunellesco Lippi (b. 1377–d. 1446), also known as Filippo Brunelleschi, was a late medieval goldsmith, sculptor, perspectivist, inventor, engineer, architect, and sometime poet from Florence, Italy, whose decisive contributions to three major developments in Western material culture—the invention of mathematically consistent perspective
Zirardini, Giuseppe +2 more
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Zirardini, Giuseppe +2 more
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Brunelleschi, Lacan, Le Corbusier
2020This major new interpretive work on spatial experience interprets the 15th C demonstration of perspective for today by putting it in relation to contemporary theories of subjectivity and modern architecture. It explores the use of first person singular research, which makes no attempt to conceal one of the fundamental conditions of production of any ...
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Brunelleschi and the "Ascension" of 1422
The Art Bulletin, 1978According to fifteenth-century documents in the National Archives in Florence (ASF), the Compagnia di S. Agnese (or delle Laude or dello Stendardo) was obligated to perform the sacra rappresentazione of the Ascension every year in the church of S. Maria del Carmine.1 Accounts of the performances of the Compagnia have been preserved, although these ...
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Ghibertis Hommage an Brunelleschi
2022kunsttexte.de - Journal für Kunst- und Bildgeschichte, Nr.
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