Results 1 to 10 of about 2,705,437 (309)

Art. XXII.—Kapilavastu in the Buddhist Books [PDF]

open access: greenJournal of the Royal Asiatic Society, 1898
The recent discoveries in Nepāl associated with the name of Dr. Fuhrer, Archaeological Surveyor in the employment of the Government of India, may lead at an early date to a revival of interest in the life of the historical Buddha, distinguished generally by the names Gautama and Sakyamuni, and in the district in which he is supposed to have been born.
T. R. Watters
openalex   +5 more sources

“Art world” of yunnan theravada buddhist murals from the perspective of art sociology: A case study based on murals in Jingzhen buddhist temple [PDF]

open access: diamondMATEC Web of Conferences
From the perspective of art sociology, this article adopts the research paradigm of “art world” and “cultural production” to carry out a case study on murals in Jingzhen Buddhist Temple in Xishuangbanna and explore the “production” and “autoproduction ...
Zhang Qiuying
doaj   +2 more sources

China-Thailand Buddhist mural research: To create the visual art work of the “Three worlds” [PDF]

open access: diamondSHS Web of Conferences
A study of Sino-Thai Buddhist murals: research for the creation of a visual art work on the theme of The Three Realms The purpose of the study was to examine the development and artistic characteristics of Sino-Thai Buddhist murals as well as the content
Feng Junxian   +2 more
doaj   +2 more sources

Mapping the ‘Three Worlds’: A Preliminary Exploration of the Formation and Iconography of Buddhist Cosmological Paintings in Central Siam

open access: yesReligions
Buddhist cosmology is prominently reflected in artistic expressions across various regions, particularly through its extensive representation in Buddhist art.
Ran Xiong
doaj   +2 more sources

Art. III.—The Nirvana of the Northern Buddhists [PDF]

open access: greenJournal of the Royal Asiatic Society of Great Britain & Ireland, 1881
The word “Nirvana” expresses the doctrine of immortal hope as held by the ten Buddhist nations; the Singhalese of Ceylon, the Ghoorkas of Nepaul, the Tibetans, Mongols, Chinese, Coreans, Japanese, Cochin Chinese, Siamese, and Birmese.
J. Edkins
openalex   +5 more sources

Landscape Art in Chinese Buddhist Temples [PDF]

open access: yesProceedings of the 2017 International Conference on Sports, Arts, Education and Management Engineering (SAEME 2017), 2017
Temple is regarded as deference thirst place, and is also regarded as ingenuity truth place, which is the symbol of China's long history culture, and has played a huge role in condensed human beliefs.
Xuelan Yang
openaire   +3 more sources

Art. XIX.—Women Leaders of the Buddhist Reformation [PDF]

open access: greenJournal of the Royal Asiatic Society, 1893
Chaṭṭhe jhāyīnaṃ yadidaṃ Nandāti jhānābhiratānaṃ Nandā therī aggā ti dasseti.Sā kira Padumuttarabuddhakāle Haṃsavatiyaṃ kulagehe paṭisandhiṃ. gahetvā aparabhāge Satthu dhammaṃ suṇantī Satthāram ekaṃ bhikkhuniṃ jhānabhiratānaṃ aggaṭṭhāne ṭhapetum disvā adhikārakammaṃ katvā taṃ ṭhānantaraṁ patthesi.
Mabel Haynes Bode
openalex   +4 more sources

Lute, Sword, Snake, and Parasol—The Formation of the Standard Iconography of the Four Heavenly Kings in Chinese Buddhist Art

open access: yesReligions, 2023
The Four Heavenly Kings, Sida Tianwang 四大天王, are the guardians of the four quarters of the world in Buddhism. They are among the most frequently represented protective deities in Buddhist art across different traditions.
Tianshu Zhu
semanticscholar   +1 more source

Research on a Buddha Mountain in Colonial-Period Korea: A Preliminary Discussion

open access: yesReligions, 2021
Buddhist art became the focus of discussion when Japanese scholars began to construct Korean art history as an academic discipline. This paper presents a case study of how a particular Buddhist site, Mount Nam in Kyŏngju, was recognized, researched, and ...
Sunkyung Kim
doaj   +1 more source

The “Amida Raigo” Motif in the Buddhist Art

open access: bronzeJOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU), 1969
Tatsuji Ishizaki
openalex   +4 more sources

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