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‘Bodhisattva Bodies’: Early Twentieth Century Indian Influences on Modern Japanese Buddhist Art
The first decade of the twentieth century marked a turning point for Japanese Buddhism. With the introduction of Western academia, Buddhist scholars began to uncover the history of Buddhism, and through their efforts, they discovered India as the ...
Chao Chi Chiu
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Portable Faith: Toward a Non-Site-Specific History of Buddhist Art in Japan
From small-scale shrines to handheld icons and votive tablets, portability has long factored into the design and reception of Buddhist art. This article charts the uses and design of portable objects that are as instrumental and effective as their ...
Chun-Wa Chan
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Dunhuang Buddhist Art Object Recognition Based on CenterNet
The CenterNet recognition algorithm exhibits impressive performance in deep learning-based object recognition methods. Utilizing the DLA-34 as the backbone for object detection, it achieves higher average precision than one-stage algorithms, albeit at a ...
Shulan Wang, Siyu Liu
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Gandhāran Art in Its Buddhist Context
This book arises from the fifth and final planned workshop of the Gandhāra Connections project at Oxford’s Classical Art Research Centre, which was held online via Zoom in March 2022. For a variety of reasons, not all of the participants in that workshop
Luca M. Olivieri +4 more
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Landscape Art in Chinese Buddhist Temples [PDF]
Temple is regarded as deference thirst place, and is also regarded as ingenuity truth place, which is the symbol of China's long history culture, and has played a huge role in condensed human beliefs.
Xuelan Yang
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Research on a Buddha Mountain in Colonial-Period Korea: A Preliminary Discussion
Buddhist art became the focus of discussion when Japanese scholars began to construct Korean art history as an academic discipline. This paper presents a case study of how a particular Buddhist site, Mount Nam in Kyŏngju, was recognized, researched, and ...
Sunkyung Kim
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The evolution and spread of the image of "Nagas bathing Siddhartha" in Buddhism art
The image of the "Nagas Bathing Siddhartha", an important theme in Buddhist art, was produced in India and has appeared successively in Xinjiang, Gansu, Qinghai, Shanxi, Shaanxi, Henan, Shandong, Jiangsu, Sichuan, Tibet and other places in China during ...
Xiaodan Liu +3 more
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The Four Heavenly Kings, Sida Tianwang 四大天王, are the guardians of the four quarters of the world in Buddhism. They are among the most frequently represented protective deities in Buddhist art across different traditions.
Tianshu Zhu
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This article investigates two issues regarding the Buddhism of premodern Japanese martial arts. The first issue concerns the historical channels through which Buddhist elements were adopted into martial lineages, and the second pertains to the general ...
Steven Trenson
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Analyse the differences in origin and layout of Chinese Buddhist and Taoist architecture [PDF]
This article mainly lists differences between Buddhist and Taoist architecture in China, and compares them in various aspects by analyzing the layout and origin of the architecture and combining religious meanings.
Shen Jiachen
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