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"Buffy the Vampire Slayer" as "shero": Re-defining the mythological hero. [PDF]
, 2017 openaire +1 more source
Vampiros en la ficción televisiva del siglo XXI : El mito inmortal [PDF]
, 2011 Caro Oca, Ana Mª +1 more
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The Translator, 2008
Translating audiovisual material such as songs that contribute to a film’s narrative is a challenge yet to be systematically researched in translation studies, and in its more specific branch of audiovisual translation (AVT). This article suggests a new line of research in the analysis of audiovisual material and the perception of fictional characters ...
Charlotte Bosseaux
semanticscholar +4 more sources
Translating audiovisual material such as songs that contribute to a film’s narrative is a challenge yet to be systematically researched in translation studies, and in its more specific branch of audiovisual translation (AVT). This article suggests a new line of research in the analysis of audiovisual material and the perception of fictional characters ...
Charlotte Bosseaux
semanticscholar +4 more sources
Cinema and Media Studies, 2020
Buffy the Vampire Slayer is an American television series (1997–2003). Its first incarnation was as a movie (1992) that received mediocre reviews. The film’s writer, Joss Whedon, had the unexpected opportunity to transfer the work to television as part of the fledgling WB network.
Rhonda V. Wilcox
openaire +2 more sources
Buffy the Vampire Slayer is an American television series (1997–2003). Its first incarnation was as a movie (1992) that received mediocre reviews. The film’s writer, Joss Whedon, had the unexpected opportunity to transfer the work to television as part of the fledgling WB network.
Rhonda V. Wilcox
openaire +2 more sources
Vampires, Postmodernity, and Postfeminism:Buffy the Vampire Slayer
Journal of Popular Film and Television, 1999Abstract In this article, I explore the popular series Buffy the Vampire Slayer through the intersections of post-feminism, postmodernity, and the vampire metanarrative. In particular, I discuss the manner in which this television narrative appropriates body rhetorics and narrative agency from traditionally masculinist metanarratives in the horror and ...
A. Owen
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Public Service Motivation in Buffy the Vampire Slayer
Public Voices, 2016In this paper, the author examines public service as depicted in the television series Buffy the Vampire Slayer (BtVS). First, she shows how slaying meets the economist’s definition of a public good, using the BtVS episode “Flooded” (6.04). Second, she discusses public service motivation (PSM) to determine whether or not Buffy, a public servant ...
Sharon H. Mastracci
openaire +2 more sources