Results 41 to 50 of about 4,846 (196)
Les épisodes autonomes : écarts formels et narratifs dans The X-Files et Buffy The Vampire Slayer
TV Series, 2019 TV serial genres have evolved since the emergence of the medium, they are becoming more refined, more complex, more hybrid, responding to the growing demands and spectatorial skills of its audience.
Elaine Després
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The relationship between entertainment producers and higher education providers [PDF]
, 2012 Cameron, Verhoeven and Court have noted that many screen producers do not see their tertiary education as being beneficial to their careers. We hypothesise that Universities have traditionally not trained students in producing skills because of the ...
McKee, Alan, Silver, Jon
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Buffy the Vampire Slayer: A Superheroine, but not in Serbia
Etnoantropološki Problemi, 2016 This paper discusses the television series Buffy the Vampire Slayer, more specifically, its enormous popularity in the United States, Western Europe and Australia, and the absence of any reaction to the series in Serbia.
Ljiljana Gavrilović
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For and Against the Law:‘Buffy the Vampire Slayer’, ‘Angel’ and the Academy
Entertainment and Sports Law Journal, 2016 In this article I will first argue that the two television series ‘Buffy the Vampire Slayer’ (hereafter BtVS) and its spinoff series ‘Angel’ both contain an account of the place of law and legal institutions in society.
Anthony Bradney
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How to be a woman. Models of masochism and sacrifice in young adult fiction [PDF]
, 2015 Buffy, Bella, Veronica, Katniss, Clary, Tris and Saba : For two decades post-feminist heroines have faced life-threatening trials as part of their progress to womanhood.
Jarvis, Christine
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« Brouillard sanglant » sur Sunnydale !
Strenae, 2011 The "Buffyverse" (the universe of Buffy the Vampire Slayer, created by Joss Whedon, 1997-2003) has greatly fascinated the public—from its original core audience to the entire age range over the seasons—to the point that it has undergone a whole series of
Isabelle-Rachel Casta
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Battle of the Blockbusters: Joss Whedon as Public Pedagogue [PDF]
, 2016 This article discusses the concept of public pedagogy and the reasons for considering it relevant to the work of the writer/ director/ producer Joss Whedon, creator of numberous TV programmes, such as Buffy the Vampire Slayer, Angel and Firefly, and ...
Jarvis, Christine
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Existentialism and art-horror [PDF]
, 2010 This article explores the relationship between existentialism and the horror genre. Noël Carroll and others have proposed that horror monsters defy established categories. Carroll also argues that the emotion they provoke - 'art-horror' - is a 'composite'
Hanscomb, S.
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TV Series, 2014 In seasons 5 and 6 of True Blood, the appearance of Lilith, a character borrowed from the Jewish tradition and presented in the show as the original vampire, permits us to analyze the relationship of this fantasy show with religion.
Maureen Attali
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The ontology and literary status of the screenplay: the case of "Scriptfic" [PDF]
, 2013 Are screenplays - or at least some screenplays - works of literature? Until relatively recently, very few theorists had addressed this question. Thanks to recent work by scholars such as Ian W.
Nannicelli, Ted
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