Results 41 to 50 of about 935 (164)
TV Series, 2014 In seasons 5 and 6 of True Blood, the appearance of Lilith, a character borrowed from the Jewish tradition and presented in the show as the original vampire, permits us to analyze the relationship of this fantasy show with religion.
Maureen Attali
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« Brouillard sanglant » sur Sunnydale !
Strenae, 2011 The "Buffyverse" (the universe of Buffy the Vampire Slayer, created by Joss Whedon, 1997-2003) has greatly fascinated the public—from its original core audience to the entire age range over the seasons—to the point that it has undergone a whole series of
Isabelle-Rachel Casta
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I’m Buffy and You’re History: Buffy the Vampire Slayer and Contemporary Feminism by Patricia Pender (I.B. Tauris, 2016) [PDF]
Monstrum, 2018 Book ...
Kristopher Woofter
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TV Series, 2012 The genre of the teenage series, which today has attained a form of stability, fills a gap in the representation of identity issues that are rarely addressed with such complexity by contemporary serial fictions.
Pierre-Olivier Toulza
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« On … on peut se reposer maintenant ? » :Foucault et les multiples subjectivités discursives de Spike [PDF]
Slayage, 2023 This article explores Spike’s development via a Foucauldian perspective of power and discourse. Discursive power resides in networks of relationships which allow “subjects [to] freely call upon differing discourses … and therefore, play games of identity”
Herrmann, Andrew F. +1 more
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Librarian versus Technopagan - „Buffy the Vampire Slayer“ und das Rollenbild des Bibliothekars
Library Ideas, 2008 Der Aufsatz widmet sich der Folge 1.08 'I, Robot... You, Jane' der Fernsehserie 'Buffy the Vampire Slayer'. Im Mittelpunkt steht die Frage, inwieweit die in der Folge gezeigten Charaktere des Rupert Giles, Schulbibliothekar der Sunnydale High, und Mrs ...
Christian Spließ
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Borgesian Libraries and Librarians in Television Popular Culture
Studies in 20th & 21st Century Literature, 2013 In the works of Jorge Luis Borges, the library appears frequently as a metaphor representative of life and its secrets. It becomes a metaphysical location, posing questions about the nature of time, life, and the universe itself.
Iana Konstantinova
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The Last Gender Picture Show to Closure Buffy the Vampire Slayer
Styles of Communication, 2016 This work presents in (and especially on one) detail what it means to practice gender analysis as formal image analysis in the context of television shows.
Sven Grampp
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TV Series, 2014 The teaser or pre-credit sequence is key feature of seriality. Situated before the credits, it constitutes simultaneously an entry into the fiction, a return to the familiar fictional world, and an opening to something entirely new.
Claire Cornillon
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