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2021
Abstract The term magic has been long understood as problematic. Studies of Byzantine magic have rapidly developed over the past several decades, and have come to suggest various ways of understanding the term. Two Early Byzantine amulets, serving as case studies, display conventional linguistic structures, including persuasive analogy ...
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Abstract The term magic has been long understood as problematic. Studies of Byzantine magic have rapidly developed over the past several decades, and have come to suggest various ways of understanding the term. Two Early Byzantine amulets, serving as case studies, display conventional linguistic structures, including persuasive analogy ...
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“BYZANTINE” ART IN Post-Byzantine SOUTH Italy?
Common Knowledge, 2012Art historians have long viewed southern Italy, especially the Salento region in Apulia, as a Byzantine artistic province even centuries after Byzantine rule ended there in c. 1070. The Orthodox monastery of Santa Maria di Cerrate, near Lecce, is widely considered to possess some of the region’s “most Byzantine” paintings (twelfth to fourteenth ...
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2021
Abstract Byzantine art preferred chameleonic materials such as gold, glass, jewels, and variegated marbles with which to make images and shape architectural space. When set in shifting diurnal light and the flicker of candles, the variegated surfaces of the icon and ecclesiastical interiors produced a spectacle of shifting appearances ...
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Abstract Byzantine art preferred chameleonic materials such as gold, glass, jewels, and variegated marbles with which to make images and shape architectural space. When set in shifting diurnal light and the flicker of candles, the variegated surfaces of the icon and ecclesiastical interiors produced a spectacle of shifting appearances ...
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Byzantine Art and Architecture
2014Byzantine art and architecture may be defined as the artistic production of the eastern Mediterranean region that developed into an orthodox set of societies after the relocation of the Roman capital to Constantinople in 330 ce. While there is a debate about the use of the term “Roman” for emperors as late as Justinian (r.
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Dalton, Byzantine Art and Archeology
1970Römische Quartalschrift, Bd. 26 Nr.
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Byzantine and Post-Byzantine Art: crossing borders, exploring boundaries
2018Abstract: The authors reflect on methodological and terminological problems related to the critical fields of Byzantine and so-called Post-Byzantine Art in the Balkans. Departing from the traditional, frequently controversial, issues of continuity and identity, this chapter proposes a more effective conceptual framework, which favours the ideas of ...
Moutafov, E, Toth, I
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Byzantine Art and Renaissance Europe
2016This book is about Byzantine art and the European Renaissance. It discusses cultural and artistic interaction between the Byzantine east and western Europe, from the 1204 sack of Constantinople to the flourishing of 15th-16th-century post-Byzantine artistic workshops on Venetian-ruled Crete, where artists adapted to the demands of a hybrid Byzantine ...
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