Results 31 to 40 of about 112 (90)

Assimilation in Orthodox Liturgy and Hagiography аs One of the Types of Artistic Principle Borrowing [PDF]

open access: yes, 2021
Мета статті – простежити втілення принципу уподібнення у давньоруській музичній культурі та агіографії, розглянути богословське підґрунтя цього принципу та приклади його зображення в пам’ятках житійної літератури.
Шуміло, С.
core   +2 more sources

The Byzantine-Poetic Path of the Works of St. Maximus the Greek (Mikhail Trivolis, *Arta, ca. 1470 – St. Maximus the Greek, †Moscow, 1556)

open access: yesStudia Ceranea, 2018
Maximus the Greek has been frequently misunderstood because of his individual use of the Slavic language. Born as Mikhail Trivolis in the Greek town of Arta, he received his humanist education in North Italy, particularly in Florence and Venice, where he
Neža Zajc
doaj   +1 more source

Performance Theory and the Study of Byzantine Hymnography: Andrew of Crete's Canon on Lazarus [PDF]

open access: yes, 2019
The present paper examines a case study – Andrew of Crete's Canon in Lazarum, through the lens of performance theory, a methodological approach very little employed in Orthodox liturgics.
Olkinuora, Pappismunkki Damaskinos
core   +1 more source

The great canon of st. Andrew of Crete. Scriptural, liturgical and hesychastic invitation for an encounter with God

open access: yesVox Patrum, 2018
The Great Canon of St. Andrew of Crete is a masterpiece of Byzantine hym­nography. Due to its liturgical use during the Great Lent in the Orthodox Church for more than a thousand years it has played a very important role in the process of spiritual ...
Krzysztof Leśniewski
doaj   +1 more source

CONSTANŢA CRISTESCU: CONTRIBUTIONS TO THE VALORIFICATION OF THE MUSICAL TRADITION OF BANAT AND TRANSYLVANIA, MUSICAL PUBLISHING HOUSE, BUCHAREST, 2011

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2012
The year 2011 was very rich and creative for the musicologist Constanta Cristescu. Three volumes of musicology creations were published under her signature.
Gabriela COCA
doaj  

Teaching of the Orthodox Faith according to the Principles of Liturgical Byzantine Treatises. Testimonies and Interpretation

open access: yesForum Theologicum Sardicense
The questions related to the ecumenical character of the Liturgy, the role of church music and hymnography, and specifically Eastern and Byzantine church singing, as a means of professing the faith of the Orthodox Church, are driven by paradigms for ...
Ivan Ivanov
doaj   +1 more source

Greek Christian hymnography through the ages: a survey

open access: yesEstudios Bizantinos
La poesía religiosa es uno de los grandes representantes de la literatura bizantina. Dentro de la esfera poética se encuentra el género de la himnografía, cuyo máximo exponente es un tipo de himno conocido como kontákion. Desde su descubrimiento en el s.
Miriam Urbano-Ruiz
doaj   +1 more source

“Now the voice of Isaiah the prophet…”: on the unusual attribution of Old Testament prophecy in Ancient Church hymnography [PDF]

open access: yesВестник Православного Свято-Тихоновского гуманитарного университета: Серия I. Богословие, философия
The article considers an unusual case of "incorrect" attribution of the words of the prophet Malachi to the prophet Isaiah on the example of two hymns of the service of the Nativity of St. John the Baptist (24 June), written by St. John of Damascus (7th –
Nikolay Serebryakov
doaj   +1 more source

Reflection of Roman Legal Tradition in Monuments of Byzantine Himnography [PDF]

open access: yes, 2007
Автор отмечает, что римская правовая практика оказала влияние на византийскую гимнографию как на идейном, так и на художественном уровне. В статье приведен ряд примеров, подтверждающих этот тезис.
Vasilik, Vladimir Vladimirovich   +1 more
core  

Creating Josaphat: The Making of a Saint in the Church-Slavonic Office for Josaphat Kuntsevych

open access: yesLietuvos Istorijos Studijos
The liturgical commemoration of Josaphat Kuntsevych, the Uniate Archbishop of Polatsk, was initiated soon after his death in the hands of Orthodox citizens in Vitsyebsk in 1623. The hymnographical Office (sluzhba) for Josaphat developed in the course of
Maria Takala-Roszczenko
doaj   +1 more source

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