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"Φάρας" in Byzantine Vernacular Literature

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The Author in Middle Byzantine Literature

2014
Author and authorship have become increasingly important concepts in Byzantine literary studies. This volume provides the first comprehensive survey on strategies of authorship in Middle Byzantine literature and investigates the interaction between self-presentation and cultural production in a wide array of genres, providing new insights into how ...
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The Byzantine Arts and Byzantine Literature

2021
Abstract This chapter examines the relationships between literary and visual forms in Byzantium. Both in the Early and in the later Byzantine periods there were clear parallels between the ways that literary and visual compositions were structured, whether through the rhetorical techniques of repetition, variation, and acrostic in Early ...
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What Is Byzantine Literature?

2021
Abstract The chapter raises the question of what is “Byzantine literature” and introduces the contents of the Handbook. In the context of the volume, “Byzantine literature” refers to “Literature in Greek, during the Byzantine period (330 ce–1453 ce),” which, however, raises a series of problems.
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Liturgical Drama in Byzantine Literature

Comparative Drama, 1976
It remains the prevailing opinion among literary scholars today that the rebirth of drama in western civilization began with the appearance of the Quern quaeritis trope in the middle of the tenth century, after the barbarian interregnum of the Dark Ages.
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The erotic symbolism of the apple in late Byzantine and meta-Byzantine demotic literature

Byzantine and Modern Greek Studies, 1993
The erotic symbolism of the apple in the writers of pagan Greece afforded the Byzantines an oft-chosen field for demonstrating both their learning and their ingenuity. This exercise in antiquarianism, however, tends to conceal among at least some segments of the population a continuing daily use of such symbolism and indeed a persistent belief in the ...
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Byzantine Literature in the Slav World

Abstract The term ‘literature’ is now interpreted more broadly than traditional histories of Byzantium’s literary texts would have it, complicating the definition of ‘translated literature’. Attempting to distinguish between works intentionally translated and those translated without showing obvious signs of intent may be a useful ...
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