Results 61 to 70 of about 44,017 (216)

Looking beyond charters and contracts: child slavery in the narrative sources of the early Middle Ages

open access: yesEarly Medieval Europe, Volume 33, Issue 4, Page 572-589, November 2025.
This article traces the presence of enslaved children in early medieval narrative sources, especially hagiographies, and looks into the relationship between their historicity and their literary functions. While topoi such as the ransoming or redemption of slaves are acknowledged, this article argues that despite these motifs, narrative sources offer ...
Danny Grabe
wiley   +1 more source

ENYΠOΣTATOΣ [PDF]

open access: yes, 2005
Not ...
Gleede, Benjamin J.
core  

‘CELTIC BRITAIN’ IN PRE‐ROMAN ARCHAEOLOGY, RECONSIDERED

open access: yesOxford Journal of Archaeology, Volume 44, Issue 4, Page 446-461, November 2025.
Summary For forty years archaeologists have avoided referring to pre‐Roman Britain and its inhabitants as ‘Celtic’ on the grounds that contemporaries never described them as such. This is incorrect. The second‐century BC astronomer Hipparchus quotes Pytheas (c. 320 BC) as having referred to Britons as ‘Keltoi’.
Patrick Sims‐Williams
wiley   +1 more source

Text and Transmission [PDF]

open access: yes, 2016
The modern reader may encounter the Greek text of Euripides' surviving plays in many forms: in print either in complete editions or in separate editions of single plays published with translations or commentaries or both, and in digital form at well ...
Bousquet   +33 more
core   +1 more source

Mountainous vegetation succession and land use during the last millennium in the Peloponnese (southern Greece): Environmental change and economic development in an isolated periphery

open access: yesJournal of Quaternary Science, Volume 40, Issue 7, Page 1269-1284, October 2025.
ABSTRACT Mediterranean mountainous areas and their valuable natural resources have long been attractive to human societies. The Peloponnese (southern Greece), with its complex topographic and climatic variability, has been the scenery for the development of numerous human communities.
Katerina Kouli   +11 more
wiley   +1 more source

Protection of Documents, Cryptography and Secret Communications in Byzantium (the 4th—15th centuries)

open access: yesБезопасность информационных технологий, 2012
Origin and evolution of cryptography in Byzantium haven’t been studied yet. We discuss here how the written texts were ciphered, how the integrity and authenticity of documents were ensured in Byzantium in the 4th—15th centuries A.D.
S. V. Zapechnikov
doaj  

Remapping the European Cultural Memory: The Case of Julia Kristeva’s \u3cem\u3eMurder in Byzantium\u3c/em\u3e [PDF]

open access: yes, 2010
This article considers Julia Kristeva’s novel Murder in Byzantium in the context of some of the most pressing ehtical and political dilemmas faced by Europe today, regarding the role of religion and the inclusion of religious references in the ...
Rus, Bianca Laura
core   +1 more source

Byzantium and the Crusades: Constantine X's Embassy to Honorius II in 1062

open access: yesHistory, Volume 110, Issue 392, Page 459-473, September 2025.
Abstract The Byzantine emperor Alexios I's 1095 embassy to Pope Urban II has been characterized in three different ways: as a request for troops that inadvertently triggered the First Crusade, as a manipulation of western reverence for the Holy Sepulchre and as active Byzantine–papal collaboration.
JONATHAN HARRIS
wiley   +1 more source

A Cypriot Story about Love and Hatred [PDF]

open access: yes, 2014
The Middle Ages have their great love stories. We owe one of them to Peter I Lusignan, King of Cyprus. Married to Eleanor of Aragon, who bore him a son and a successor, he had a mistress pregnant with his child.
Dąbrowska, Małgorzata
core   +2 more sources

The 13th Century Icon ‘The Mother of God Eleousa’ from a Private Collection in Moscow / Икона «Богоматерь с Младенцем (Умиление)» XIII века из московского частного собрания

open access: yesВизуальная теология
The origin of this ‘Eleousa’ icon is unknown. In 1949, the image was in a private collection in Rome. The icon suffered losses. The board was sawed off at the bottom; the background was re-primed; the layers of paint are incompletely preserved.
Liliya Evseeva / Лилия Михайловна Евсеева
doaj   +1 more source

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