La mise en scène du créole martiniquais dans le Cahier d’un retour au pays natal d’Aimé Césaire [PDF]
Malik Noël-Ferdinand
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Malela, Buata B. — Aimé Césaire. Le « fil et la trame » [PDF]
Annick Gendre
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Carlo Bo lettore di Aimé Césaire [PDF]
1nonenoneBENELLI G.Benelli ...
Benelli, Graziano
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Este trabalho representa à subjetividade antilhana a partir das poesias de Aimé Césaire e de Edouard Glissant. Na perspectiva de uma voz que inicialmente surge como expressão inconsciente do coletivo e ainda sobredeterminada pelo significante do ...
Katia Frazão Costa Rodrigues
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Productivity in Canada: Does Firm Size Matter? [PDF]
The research findings highlighted in this article suggest that firm-size differences play a significant role in explaining the productivity gap between Canada and the United States.
Césaire Meh, Danny Leung, Yaz Terajima
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Wifredo Lam, the Shango Priestess, and the Femme Cheval [PDF]
This article examines Afro-Cuban painter Wifredo Lam and his iconic construction of Afro-Cuban identity. From the vantage point of a literary scholar rather than art historian, and in keeping with Lam’s description of his paintings as “poetry,” I read ...
Sato, Paula
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Shima (éric), Aimé Césaire : Cahier d’un retour au pays natal et Tchicaya U Tam’si : Épitomé. Étude comparative. Préface du Professeur Bamboneyeho. Paris : L’Harmattan, coll. Approches littéraires, 2008, 213 p. – ISBN 978-2-296-05717-3 Pestre de Almeida (Lilian), Aimé Césaire, Cahier d’un retour au pays natal. Paris : L’Harmattan, coll. Classiques francophones, 2008, 187 p. – ISBN 978-2-296-05922-1 [PDF]
Raymond G. Hounfodji
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Beyond the Singularity of Subordination
This paper examines how Achille Mbembe draws upon, then iterates from, the work of Aimé Césaire to provide a rich analysis of personhood in contemporary Africa.
Scott Timcke
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Victor Schoelcher y la abolición de la esclavitud
En este fragmento Aimé Césaire reflexiona sobre la abolición de la esclavitud y hace un recorrido histórico de las diferentes etapas y discursos presentes en los años antes de la abolición.
Aimé CÉSAIRE
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