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Caetano Veloso or the Taste for Hybrid Language

Diogenes, 2000
Like many sociocultural phenomena in Brazil, popular music, as everyone knows, is the result of a meeting of influences. It could almost be said that it is born a cross-breed, given the half-European, half-African origins of its best-known first genres, lundu, choro and ...
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Caetano Veloso’s A Foreign Sound

2017
What makes a song sound foreign? What makes it sound “American,” or Brazilian? Caetano Veloso’s 2004 American songbook album, A Foreign Sound, is a meditation on these questions—but in truth, they were questions he’d been asking throughout his career.
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ANTHROPOPHAGIC ANALYSIS IN CAETANO VELOSO'S SUPERBACANA MUSIC

Revista Gênero e Interdisciplinaridade
This article examines the anthropophagic production methodology used by members of the group “Tropicália”, giving a new look to European ideas and models without subordinating themselves to the dichotomies between national and foreign. Representations that resonate in various artistic, social and political manifestations of the time. For this research,
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Caetano Veloso a brazilský tropikalismus

2012
The thesis Caetano Veloso and Brazilian tropicalism analyses the music movement of the same name, which took place in Brazil between 1967 and 1968. It traces its context and mutual synergies with avantgarde art, which originated at the same time in the innovatory art of ????, in the radical theatre Oficina, in the new wave of brazilian cinema ...
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CAETANO VELOSO, INTÉRPRETE DO BRASIL DO SÉCULO XXI

2023
Resumo: Desde os anos 1960, o Tropicalismo situou-se na cultura do Brasil não só como um movimento artístico ou musical, mas como uma interpretação do país, que foi e ainda é sublinhada por diversos comentadores, desde críticos até artistas. Mas, a obra de seus protagonistas, como Caetano Veloso, continuou desenvolvendo-se nas décadas seguintes até ...
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Veloso, Caetano

2001
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