Results 11 to 20 of about 5,706 (221)

دراسة أثرية فنية تحليلية مقارنة لمصحف إيراني محفوظ بجامعة أم القرى بمكة المكرمة An Artistic Archaeological and Analysis Comparative Study of Holy Iranian Muṣḥaf Manuscript Preserved in Umm Al-Qura University/Mecc [PDF]

open access: yesJournal of General Union of Arab Archaeologists
الملخص: يتناول هذا البحث دراسة أثرية فنية تحليلية مقارنة لمخطوط مصحفى غير مؤرخ محفوظ بجامعة أم القري بمكة المكرمة رقم سجل:(3649. Nº)، حيث يحتوى المخطوط المصحفى فقط على اسم محمد هاشم من ضمن النقوش الكتابية المنفذة على حاشية غلاف المخطوط، استطاعت الباحثة ...
Samira E. Almnoawty
doaj   +1 more source

From Parallel Sequence Representations to Calligraphic Control: A Conspiracy of Neural Circuits [PDF]

open access: yes, 2004
Calligraphic writing presents a rich set of challenges to the human movement control system. These challenges include: initial learning, and recall from memory, of prescribed stroke sequences; critical timing of stroke onsets and durations; fine control
Bullock, Daniel
core   +2 more sources

The New Result of Studies in the History of Medieval Calligraphy: A Review of The Manual of Calligraphy by Sun Guoting of the Tang: A Comprehensive Study on the Manuscript and Its Autho

open access: yesContemporary Social Sciences, 2022
The Manual of Calligraphy by Sun Guoting of the Tang: A Comprehensive Study on the Manuscript and Its Author is one of the representative monographs by the Italian sinologist Pietro De Laurentis, which includes the textual and historical research of ...
He Miao
doaj   +1 more source

The Idea of the Just Ruler and the Art Patron in Persianate Calligraphy

open access: yesManazir Journal, 2023
Jaʿfar Tabrizi (1383–1455) is one of the most famous Timurid calligraphers and was the chief of prince Baysonqor’s (1397–1433) library. Under his supervision, some of the most prestigious Herati manuscripts were created.
Hamid Reza Ghelichkhani
doaj   +1 more source

Christian Arabic book making in the mountains of Samtskhe: from the history of contacts between Georgia and the church of Antioch at the latter half of the 15th century [PDF]

open access: yesВестник Православного Свято-Тихоновского гуманитарного университета: Сериа III. Филология, 2023
The 15th century was a period of deep decline and isolation of the Rum Orthodox Church of Antioch. Nevertheless, exactly in this time contacts between the Arab Christians and Georgian lands became more intense.
Konstantin Panchenko
doaj   +1 more source

Beyond the Margins: Identity Fragmentation in Visual Representation in Michel Tournier’s La Goutte d’or [PDF]

open access: yes, 2012
In Tournier’s novel, the goutte d’or also corresponds to a symbolic object: a Berber jewel. It is the jewel that Idriss brings with him, but which he also subsequently loses upon his arrival in Marseille.
Gray, Richard J. II
core   +2 more sources

Inscriptions of Mehmed Esad Yesari in Istanbul

open access: yesİslam Tetkikleri Dergisi, 2022
Mehmed Esad Yesari was one of the most prominent calligraphers of the Ottoman Empire. Taʿlīq script, originally in Iran, was found a new form in his hands according to the Turkish aesthetic.
Mustafa Sürün
doaj   +1 more source

Emerging from Anonymity: The First Generation of Writers of Songs and Drama in Mid-Ming Nanjing [PDF]

open access: yes, 2010
This article traces the first generation of writers of songs and drama in Nanjing who emerged from the anonymous context of early Ming court entertainment and established their name and reputation in the second half of the fifteenth century.
Tan, Tian Yuan
core   +1 more source

nspired by an Arabic alphabet of contemporary Gothic writings Technical vision from Caligrafia to Tibogravi

open access: yesJournal of Architecture, Art & Humanistic Science, 2018
The Arabic script with its different types and ways is considered a wealthy field of mental imagination, which creates an opportunity for cultural dialogue. It is considered an interpretation for the inventory of the designer / calligrapher conscious and
Nesreen Gamal El Din
doaj   +1 more source

expressive modulation in calligraphic configurations

open access: yesالاكاديمي, 2020
The follower of the art of Arabic calligraphy accurately identifies three prominent dimensions that have framed the dimensions of this art, the functional dimension and the aesthetic dimension, the last of which is the expressive dimension, as it is an ...
Mohammed radhy Ghadheb   +1 more
doaj   +1 more source

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