دراسة أثرية فنية تحليلية مقارنة لمصحف إيراني محفوظ بجامعة أم القرى بمكة المكرمة An Artistic Archaeological and Analysis Comparative Study of Holy Iranian Muṣḥaf Manuscript Preserved in Umm Al-Qura University/Mecc [PDF]
الملخص: يتناول هذا البحث دراسة أثرية فنية تحليلية مقارنة لمخطوط مصحفى غير مؤرخ محفوظ بجامعة أم القري بمكة المكرمة رقم سجل:(3649. Nº)، حيث يحتوى المخطوط المصحفى فقط على اسم محمد هاشم من ضمن النقوش الكتابية المنفذة على حاشية غلاف المخطوط، استطاعت الباحثة ...
Samira E. Almnoawty
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From Parallel Sequence Representations to Calligraphic Control: A Conspiracy of Neural Circuits [PDF]
Calligraphic writing presents a rich set of challenges to the human movement control system. These challenges include: initial learning, and recall from memory, of prescribed stroke sequences; critical timing of stroke onsets and durations; fine control
Bullock, Daniel
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The Manual of Calligraphy by Sun Guoting of the Tang: A Comprehensive Study on the Manuscript and Its Author is one of the representative monographs by the Italian sinologist Pietro De Laurentis, which includes the textual and historical research of ...
He Miao
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The Idea of the Just Ruler and the Art Patron in Persianate Calligraphy
Jaʿfar Tabrizi (1383–1455) is one of the most famous Timurid calligraphers and was the chief of prince Baysonqor’s (1397–1433) library. Under his supervision, some of the most prestigious Herati manuscripts were created.
Hamid Reza Ghelichkhani
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Christian Arabic book making in the mountains of Samtskhe: from the history of contacts between Georgia and the church of Antioch at the latter half of the 15th century [PDF]
The 15th century was a period of deep decline and isolation of the Rum Orthodox Church of Antioch. Nevertheless, exactly in this time contacts between the Arab Christians and Georgian lands became more intense.
Konstantin Panchenko
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Beyond the Margins: Identity Fragmentation in Visual Representation in Michel Tournier’s La Goutte d’or [PDF]
In Tournier’s novel, the goutte d’or also corresponds to a symbolic object: a Berber jewel. It is the jewel that Idriss brings with him, but which he also subsequently loses upon his arrival in Marseille.
Gray, Richard J. II
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Inscriptions of Mehmed Esad Yesari in Istanbul
Mehmed Esad Yesari was one of the most prominent calligraphers of the Ottoman Empire. Taʿlīq script, originally in Iran, was found a new form in his hands according to the Turkish aesthetic.
Mustafa Sürün
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Emerging from Anonymity: The First Generation of Writers of Songs and Drama in Mid-Ming Nanjing [PDF]
This article traces the first generation of writers of songs and drama in Nanjing who emerged from the anonymous context of early Ming court entertainment and established their name and reputation in the second half of the fifteenth century.
Tan, Tian Yuan
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The Arabic script with its different types and ways is considered a wealthy field of mental imagination, which creates an opportunity for cultural dialogue. It is considered an interpretation for the inventory of the designer / calligrapher conscious and
Nesreen Gamal El Din
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expressive modulation in calligraphic configurations
The follower of the art of Arabic calligraphy accurately identifies three prominent dimensions that have framed the dimensions of this art, the functional dimension and the aesthetic dimension, the last of which is the expressive dimension, as it is an ...
Mohammed radhy Ghadheb +1 more
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