Results 71 to 80 of about 40,354 (260)

Chu Calligraphy on Bamboo Slips. The Visual Evolution from Seal Script to Clerical Script and Its Artistic Value

open access: yesOcula
Since the 1950s, the field of Chinese archaeology has seen significant advancements with the unearthing of Chu Calligraphy on Bamboo Slips, hidden underground for over 2,000 years.
Mansu Wang
doaj   +1 more source

Arabic Calligraphy and the Cosmos for Contemporary Textile Designs Using Computer Aided Design (CAD)

open access: yesJournal of Architecture, Art & Humanistic Science, 2019
Calligraphy is the art of decorative and practicing hand writing or lettering. Arabic calligraphy was originally used as a tool of expression, and a form to deliver the language. It is the main mode of visual communication, particularly in Islam.
Nahed Baba
doaj   +1 more source

Regional conservation planning tool: A spreadsheet model to support spatial prioritization and resource allocation decisions

open access: yesWildlife Society Bulletin, EarlyView.
Abstract Prioritization is a central component of natural resource management because conservation needs routinely exceed available resources. Waterfowl and wetland conservation programs in North America are at the forefront of landscape‐scale prioritization and transboundary management decisions due to the migratory nature of ducks, geese, and swans ...
Anastasia Couvillon   +6 more
wiley   +1 more source

An Study of Chinese Calligraphy Rubbings Imported into Nagasaki during the Edo Period [PDF]

open access: yes, 2014
During Edo period Japan’s self imposed policy of seclusion from the outside world, the only port open for trade was Nagasaki. The only countries allowed to trade with Japan being China and the Netherlands.
Ma Chengfen, 馬 成芬
core   +1 more source

Toward an innovative poetics : Wang Changling on Yi 意 and literary creation

open access: yes, 2017
This article reveals the coherent theory of literary creation hidden within the multivalence of the term yi in Wang Changling\u27s (ca. 698–ca. 756) writings on poetry.
CAI, Zongqi
core   +1 more source

'Chineseness': The work of Lo Yuen-yi in memory of the women of Nushu [PDF]

open access: yes, 2016
One of the difficulties facing art historians and curators when approaching recently produced artworks is how to interpret such works within the dominant narrative of art history and its traditional axis of historical time and geographical place.
Foster, Nicola
core   +1 more source

Forensic Analysis of Fountain Pen Calligraphy–II. Real Evidence Analysis at the Public Prosecutor's Office

open access: yesX-Ray Spectrometry, EarlyView.
ABSTRACT The present study is a report of the real forensic analysis of characters written by fountain pen(s) on two sheets of paper. One sheet is the calligraphy written by the victim of the Sayama incident. The other is number characters written with a fountain pen found on the lintel of the suspect's house.
Jun Kawai   +2 more
wiley   +1 more source

Public Reception of Qur'an Calligraphy at the Iska Mayang Grand Mosque in Sukoharjo

open access: yesQiST
The holy book of the Quran has an informative and performative function. The informative function refers to the purpose of conveying the message or information of the Qur'an text itself. While the performative function refers to how the Qur'an can create
Muhammad Rasyid Ridlo Siyamto   +3 more
doaj   +1 more source

Tatami and wood: ink rubbings and the discussion of materiality in postwar Japanese calligraphy and art [PDF]

open access: yes, 2016
This paper discusses the relationship between postwar Japanese avant-garde calligraphy and the abstract art of the 1950s, showing how calligraphy contributed to the international postwar discussion of materiality. Postwar Japanese art – as exemplified by
Appadurai Arjun   +26 more
core   +1 more source

DECOLONIZING CREATIVE GEOGRAPHIES OF ART BIENNIALS: A Study of Istanbul's Yeditepe Biennial through the Cultural Politics of Turkish Islamic Nationalism

open access: yesInternational Journal of Urban and Regional Research, EarlyView.
Abstract This article examines the Yeditepe Biennial—Turkey's first Islamic and traditional arts biennial—as a creative festival shaped by the socio‐political and spatial dynamics of Turkish‐Islamist nationalism. Counterposed against the Istanbul Biennial and the Western‐oriented secular cultural legacy of the Turkish Republic, the Yeditepe Biennial ...
Hulya Arik, Sabrien Amrov
wiley   +1 more source

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