Results 1 to 10 of about 533 (119)

Italo Calvino et les artistes de son temps

open access: yesItalies, 2012
Durant les années 1960, Italo Calvino entretient des liens avec les arts figuratifs en pleine effervescence. Inspirés par les principes qui animent les avant-gardes internationales, les artistes inventent une autre approche de l’art : plus ...
Maria G. Vitali-Volant
exaly   +3 more sources

Le Paris d’Italo Calvino

open access: yesCahiers D’Études Romanes, 2001
La ville de Paris occupe une place importante dans l’itinéraire professionnel de l’écrivain italien Italo Calvino. Elle devient entre 1967 et 1980, le point invisible, anonyme, à partir duquel il écrit, et sert de “pré-texte” à une réflexion sur l ...
Sylvie Barral
exaly   +3 more sources

Immagini d’architettura in Italo Calvino

open access: yesItalies, 2012
Nell’opera di Calvino l’architettura ha un ruolo paradigmatico. È un mezzo di cui l’uomo dispone per “dipingere il mondo”, per dare “forma e figura” allo spazio in cui vive.
Ulla Musarra Schrøder
exaly   +3 more sources

I libri di Cosimo: Italo Calvino alla Biblioteca nazionale centrale di Roma

open access: yesAIB Studi, 2022
Nel 2021 la Biblioteca nazionale centrale di Roma ha siglato con Giovanna Calvino una convenzione di comodato grazie alla quale l’istituto diventa il luogo di conservazione del fondo archivistico e bibliografico di Italo Calvino, inaugurando una sala a ...
Andrea De Pasquale
doaj   +1 more source

Dare forma al testo guardando la forma del quadro: Italo Calvino e gli assemblages di Bona de Pisis

open access: yesPolythesis, 2023
Giving form to the text looking at the form of the painting. Italo Calvino and the Bona de Pisis’ assemblages Assuming that Italo Calvino is an imagocentric writer, and considering his production of texts dedicated to visual art, with this contribution
Greta Gribaudo
doaj   +1 more source

UNINTENTIONAL MONUMENTS, OR THE MATERIALIZING OF AN OPEN PAST

open access: yesHistory and Theory, Volume 61, Issue 2, Page 242-268, June 2022., 2022
ABSTRACT This article examines the emergence of a new epistemic value that was attributed to remnants of the past during the broad debate on historical evidence in the late seventeenth and eighteenth centuries: the unintentionality of the testimony.
LISA REGAZZONI
wiley   +1 more source

Il conflitto interiore tra Italo Calvino in "Il visconte dimezzato" e Iḥsān ‘Abd al-Quddūs in "Ḥālāt al-duktūr Ḥāsān" "Studio comparato" [PDF]

open access: yesTranscultural Journal of Humanities and Social Sciences, 2021
La presente ricerca analizza il conflitto interiore dell’uomo contemporaneo trattato da due punti di vista diversi . In altri termini , mette a confronto due romanzi che rappresentano due culture diverse , cioè , la cultura italiana e quella egiziana ...
Eslam Farouk
doaj   +1 more source

THE CULTURAL NON-HUMAN ANIMAL ANALYSING ITALO CALVINO’S ITALIAN FAIRY TALES WITH ZOOSEMIOTICS

open access: yesStudia Universitatis Babeş-Bolyai. Philologia, 2022
The Cultural Non-human Animal. Analysing Italo Calvino’s Italian Fairy Tales with Zoosemiotics. This article analyses traditional Italian fairy tales retold by Italo Calvino in 1956 and their relationships to nature and culture.
Francesco BUSCEMI
doaj   +1 more source

Jurist in Context: William Twining in Conversation with David Sugarman

open access: yesJournal of Law and Society, Volume 47, Issue 2, Page 195-220, June 2020., 2020
Abstract This discussion derives from extended conversations between William Twining and David Sugarman in which William talks about his latest book, Jurist in Context: A Memoir (JIC). JIC recounts the development of William's thoughts and writings, addressing topics central to his life and research.
William Twining, David Sugarman
wiley   +1 more source

Italo Calvino

open access: yesMuseologia & Interdisciplinaridade, 2021
Este artigo trata da problemática do museu na obra de Italo Calvino, sobretudo em Palomar e Coleção de areia, publicados respectivamente em 1983 e 1984, pouco tempo antes da morte do escritor. Pretende-se demonstrar que, em Calvino, a coleção e o museu apresentam-se como tema e como método, e que sua literatura desierarquiza saberes e culturas, uma vez
openaire   +3 more sources

Home - About - Disclaimer - Privacy