Results 131 to 140 of about 7,761 (187)

The Evolution of Spanish Word Order in «El Cantar de Mio Çid»

Rilce. Revista de Filología Hispánica
Our work has two primary objectives: a) to examine how the transition from SOV to SVO is manifested in El Cantar de Mio Çid (CMC); and b) to explore the reasons that can explain the different word orders found in the text.
Xose-Antonio Padilla-García
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Reescrituras cidianas en clave regeneracionista: El Cantar de mio Cid y su instrumentalización en la prensa

Diablotexto Digital
Este artículo delinea el mapa de lazos intelectuales e ideológicos que subyacen en las dedicatorias de los poemas de paráfrasis cidiana que cruzan entre sí algunos poetas latinoamericanos y españoles entre finales del siglo XIX y principios del XX.
María Antonia García Garrido
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El Cantar de Mio Cid: Memories of Resistance Amid Encounters Between Christianity and Islam

Korean Society for European Integration
This paper, based on the discourse of whether cultural resistance and fusion are contradictory, examines the memories of resistance and the implications of hybridity amid encounters between Christianity and Islam in Spain's medieval epic El Cantar de Mio
Wonjung Min
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Cantar de Mio Cid [español .docx]

2020
This is a pedagogical edition of a selection of el Cantar de Mio Cid (ca. 1200) with a short general introduction, notes, and brief bibliography. The edition and translation are by Matthew Bailey (2019). This unit is part of Open Iberia/América, an open access, online teaching anthology of texts from the premodern Hispanic world.
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El Cid redentor: Propaganda anti-islámica en el Cantar de Mio Cid

Rocky Mountain Review, 2018
:El presente estudio analiza cómo el anónimo autor del Cantar de Mio Cid (1207) utiliza la figura del Cid como un Jesucristo penitente con un propósito propagandístico de cruzada después de la desastrosa batalla de Alarcos (1195), la cual paró todo ...
Jaime Leaños
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Notas editoriales al Cantar de Mio Cid

2002
Como homenaje a Fernando González Ollé se realizó esta presentación de notas y correcciones a la edición de FMM en Biblioteca Nueva, 1997, como un modo de ampliar el diálogo y abrirlo al conjunto de participantes en el homenaje, fueran autores o lectores.
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Synonym Choice in the "Cantar de Mio Cid"

Hispania, 1974
to believe that there is perhaps more than one poet responsible for the composition of the poem. The differences in usage may be considered the choice of one synonym over another and/or incidence of appearance. In his article, "The Unity of the Poem of the Cid," Hills begins by indicating some common differences.
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Similarity in the Three Cantares of the "Cantar de Mio Cid"

Hispania, 1976
study are as follows: the first half is sober and historical, the second is fantastic, less serious, and mostly fictitious; the assonances d, i-a and d-o predominate in the first half while the 6(e) assonance predominates in the second part; the epithets "Mio Qid don Rodrigo," "Mio Qid Roy Diaz," and "Mio ?id el de Bivar" appear four times more often ...
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:Los potenciales polifónicos: La nobleza cortesana del “Cantar de Mio Cid.”

Speculum, 2023
L. L. González
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Dos poetas en el Cantar de Mio Cid

Romania, 1961
Menéndez Pidal Ramón. Dos poetas en el Cantar de Mio Cid. In: Romania, tome 82 n°326, 1961. pp. 145-200.
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