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A review of Goya's Caprichos appeared in the Semanario Patriotico (newspaper published in 1811 in Cadiz). Its author, from Bartolome Jose Gallardo's circle, interprets them as a hard moral satire.
ALBERTO ROMERO FERRER
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GOYA, LOS CAPRICHOS Y MI GORRO DE DORMIR
Framing Goya in his time is a delicate exercise that does not diminish his influence nor his originality, instead it provides new opportunities to better understand both.
Jesusa Vega
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Se reseña el libro: Juan Carlos Onetti: caprichos con ciudades.
R. Corral
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Coping with chance : animal bones and the aleatory [PDF]
Durante nuestros trabajos de excavación en los niveles del Magdaleniense Inferior Cantábrico del yacimiento de El Juyo (Igollo, Cantabria), se recuperó una serie de peculiares artefactos óseos. Se trataba de un reducido número de pequeños huesos cortados
J. González Echegaray, L.G. Freeman
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O duplo artigo combina arte, memória e história individual e coletiva a fim de ler a vida e a obra do pintor argentino Gustavo Cochet.
Prece, María Eugenia, Cochet, Silvia
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Goya investigado por la Inquisición: la censura de los Caprichos en 1804.
En este artículo se presenta un documento inédito que evidencia que la serie de los Caprichos de Goya fue investigada por el Tribunal de la Inquisición de Toledo en 1804.
José María Lanzarote Guiral
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Fayos Pérez Paula, Goya’s Caprichos in Nineteenth-Century France. Politics of the Grotesque
Sandra Antúnez López
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The Narrative Imperative of Granados’s "Goyescas" [PDF]
Enrique Granados’s monumental piano suite Goyescas is widely acknowledged as an important work in the piano-repertoire canon but is infrequently programmed in recitals.
Koslowsky Schmidt, Kathryn
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O FUNERAL DE GIRODET E A DERIVA ROMÂNTICA
RESUMO O funeral de Girodet é tomado como ponto de inflexão no advento do romantismo, marcado por embates que envolveram Delécluze, Stendhal, Auger, Gros, Ingres, Delacroix.
GUILHERME SIMÕES GOMES JÚNIOR
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Stirling, Ford, and nineteenth-century reception of Goya: The case of the Santa Justa and Santa Rufina: 'abomination' or 'appropriate composition'? [PDF]
This article considers an aspect of the complex relationship between the two best-known British Hispanophiles, Richard Ford and William Stirling, as the starting point for an examination of their response to Goya's art, in particular, his Santa Justa and
Macartney, H.
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