Results 31 to 40 of about 5,345 (198)

Phrases musicales : La musique dans la philosophie de Wittgenstein [PDF]

, 2007
L’auteure examine ici la portée du paradigme musical dans la philosophie de Wittgenstein. Le cadre de cet examen est l’approche à partir de Wittgenstein de ce que les philosophes ont aujourd’hui à dire de la signification musicale. Deux styles d’approche
Soulez, Antonia
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Corpus Studies and ‘Close Listening’

Music Analysis, Volume 43, Issue 2, Page 191-246, July 2024.
ABSTRACT This article provides a detailed response to Markus Neuwirth and Martin Rohrmeier's article ‘Wie wissenschaftlich muss Musiktheorie sein?’, published in the Zeitschrift der Gesellschaft für Musiktheorie in 2016. I undertake to nuance their call for the wholesale adoption of machine‐assisted corpus‐based methods in music theory through a ...
NATHAN JOHN MARTIN
wiley   +1 more source

›Modell‹ und ›Topos‹ in der deutschsprachigen Musiktheorie seit Riemann [PDF]

Zeitschrift der Gesellschaft für Musiktheorie, 2007
In der deutschsprachigen Musiktheorie stehen momentan verschiedene Ansätze, die mit den Begriffen ›Modell‹ und/oder ›Topos‹ operieren, unverknüpft nebeneinander.
Hans Aerts
doaj   +1 more source

DYNAMITE: ANARCHISM, MODERNISM, AESTHETICS [PDF]

, 2002
This book argues for the intersection of anarchist theory, modernist writers, and aesthetic innovations under the sign of "the bomb." Individual chapters concern such figures as Joseph Conrad, Richard Wagner, Henry Adams, Andrei Bely, Edna St.
Hamilton, Carol V.
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Sonata Form as Temporal Process: the First Movement of Bruckner's Sixth symphony

Music Analysis, Volume 43, Issue 1, Page 36-76, March 2024.
ABSTRACT The timeworn view that Bruckner's sonata form is a motionless architecture devoid of dynamic processes has long contributed his isolation from the mainstream post‐Beethovenian tradition. Taking inspiration from August Halm's (1914) and Ernst Kurth's (1925) approaches, which were aimed at overcoming this view, this article seeks to elucidate ...
SUNBIN KIM
wiley   +1 more source

Biography and the New Musicology [PDF]

, 2010
Traditional musicology has long resisted biographical interpretations in favor of formalistic approaches. While the so-called “New Musicology” has more recently redressed this imbalance by encouraging the contextualization of music, including critical ...
Wiley, C.
core  

Towards a theory of experimental music theatre: 'showing doing', 'non-matrixed performance' and 'metaxis' [PDF]

, 2016
Although recent years have seen the emergence of sustained research on experimental music theater, most of this is of a largely descriptive nature. To address the shortcomings of such approaches, this essay outlines a theory of experimental music theater
Heile, Björn
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Music History- Laugh and Learn [PDF]

, 2019
The project I have chosen aligns with my curriculum project and research. Data will be gathered on the effects of laughter in the classroom. This research will show that humor can motivate students as well as aide memory.
Fagan, Jessica Ellen
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Les Ombres Errantes. Vier Sichtweisen auf Satztechnik und Kombinatorik bei François Couperin [PDF]

Zeitschrift der Gesellschaft für Musiktheorie, 2010
Die vorliegende Studie versammelt vier analytische Sichtweisen auf Couperins Pièce Les Ombres Errantes: eine historisch orientierte, eine modellbezogene, eine schenkerianische und eine motivische.
Markus Roth
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Tonalität als geschichtliches System. ›Dogmatische Denkform‹ und historischer Nachweis [PDF]

Zeitschrift der Gesellschaft für Musiktheorie, 2016
Die Entstehung der harmonischen Tonalität bereitet einer wissenschaftlichen Erklärung insofern Schwierigkeiten, als Tonalität einen Gegenstand darstellt, der einerseits Systemcharakter besitzt, der andererseits aber geschichtlich aus dem allmählichen ...
Michael Polth
doaj   +1 more source