Results 61 to 70 of about 5,345 (198)

Musik als Metaphysik. Platonische Idee, Kunst und Musik bei Arthur Schopenhauer [PDF]

, 1999
Die Philosophie des sog. Deutschen Idealismus war der Musik nicht besonders verbunden. Das 19. Jahrhundert sollte hier einen ganz anderen Akzent setzen. Und einer der ersten, der die Musik als die höchste Kunstgattung, ja als die tiefste Darstellung des ...
Asmuth, Christoph
core  

Dare agli eventi una «istorica forma»: padre Martini e i primordi della storiografia musicale

Artes
What would the Foundations of Music History look like had they been written by Modern-era authors? Taking Padre Giambattista Martini’s view of music history as a lynchpin of the discussion, the first part of the article argues that some elements Carl ...
Maria Semi
doaj   +1 more source

Muzyka i horror. "Lśnienie" Stanleya Kubricka

Images, 2009
The Kubrick Horror Show: making music in “The Shining” This article will argue that in The Shining, Kubrick has constructed a radical semantisation of instrumental music, composed or adapted to the film.
Krzysztof Kozłowski
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“Though this be madness, yet there is method in’t.” A counterfactual analysis of Richard Wagner’s Tannhäuser [PDF]

, 2010
Much like Wagner himself, the eponymous hero of Tannhäuser treads a path of stark contrasts and rapid swings. From Wartburg to the Venusberg and to the Vatican, the gifted bard transforms from self-centered artist to seduced disciple, disillusioned ...
Chrissochoidis, I., Harmgart, H., Huck, S., Müller, W.   +3 more
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Boston University Symphony Orchestra, Tuesday, October 6, 1998 [PDF]

, 1998
This is the concert program of the Boston University Symphony Orchestra performance on Tuesday, October 6, 1998 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Symphony No.
School of Music, Boston University
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Smooth online parameter estimation for time varying VAR models with application to rat local field potential activity data. [PDF]

Stat Interface, 2023
El Yaagoubi Bourakna A, Pinto M, Fortin N, Ombao H.   +3 more
europepmc   +1 more source

Moses' Beginning [PDF]

, 2011
Musi
Rehding, Alexander
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COESÃO DISCURSIVA NOS ESTUDOS OP. 25 DE CHOPIN: ASPECTOS DE TONALIDADE E SUBTEMATISMO

Opus, 2005
Este trabalho aborda conexões entre os doze Estudos op. 25 (1837) de Fryderyk Franciszek Chopin (1810-1849). A possibilidade de unificação envolvendo essas peças já fora levantada por Charles Rosen; no entanto, para justificá-la, aqui são desenvolvidos e
Daniel Bento
doaj  

O expressionismo de Erwartung diante do problema do fetichismo musical Erwartung's expressionism facing the problem of musical fetishism

Per Musi, 2013
O monodrama Erwartung, de Arnold Schoenberg, foi caracterizado por um lado como síntese do expressionismo e, por outro, como uma composição não definível por meio de categorias formais.
Philippe Curimbaba Freitas
doaj  

Ampliando os cânones

Musica Theorica
Proponho uma revisão da literatura sobre musicologia histórica, suas principais abordagens e desdobramentos – musicologia sistemática, musicologia comparada – a partir do final do século XIX, com Adler, visando a um aprimoramento dos cursos de História ...
Pedro Vaccari
doaj   +1 more source