Results 61 to 70 of about 1,771,858 (246)
What is a ‘musical work’? Reflections on the origins of the ‘work concept’ in western art music [PDF]
No abstract ...
Butt, John
core
Il poema sinfonico nell'opera giovanile di Arnold Schoenberg [PDF]
Gli esordi di Arnold Schoenberg sono da qualche tempo al centro dell'interesse della ricerca musicologica. La rinnovata attenzione verso le opere giovanili del compositore viennese è legata a doppio filo ai motivi di un nuovo dibattito storiografico ...
Finocchiaro, Francesco
core +1 more source
Dare agli eventi una «istorica forma»: padre Martini e i primordi della storiografia musicale
What would the Foundations of Music History look like had they been written by Modern-era authors? Taking Padre Giambattista Martini’s view of music history as a lynchpin of the discussion, the first part of the article argues that some elements Carl ...
Maria Semi
doaj +1 more source
Muzyka i horror. "Lśnienie" Stanleya Kubricka
The Kubrick Horror Show: making music in “The Shining” This article will argue that in The Shining, Kubrick has constructed a radical semantisation of instrumental music, composed or adapted to the film.
Krzysztof Kozłowski
doaj +1 more source
Musik als Metaphysik. Platonische Idee, Kunst und Musik bei Arthur Schopenhauer [PDF]
Die Philosophie des sog. Deutschen Idealismus war der Musik nicht besonders verbunden. Das 19. Jahrhundert sollte hier einen ganz anderen Akzent setzen. Und einer der ersten, der die Musik als die höchste Kunstgattung, ja als die tiefste Darstellung des ...
Asmuth, Christoph
core
Smooth online parameter estimation for time varying VAR models with application to rat local field potential activity data. [PDF]
El Yaagoubi Bourakna A +3 more
europepmc +1 more source
Philosophers of music commonly distinguish performative from critical interpretations. I would like to suggest that the distinction between critical and performative interpretations is well captured by an analogy to legal critics and judges.
Neufeld, Jonathan A.
core
Remembering and Forgetting: Lizkor VeLishkoach for String Quartet, after Schubert [PDF]
Lizkor VeLishkoach (to Remember and to Forget) is a piece that is to be played together with Franz Schubert’s Quartet in G Major D887. Lizkor VeLishkoach (hebrew for “to remember and to forget”) forms its meaning from the roots of the words of its title.
Biró, Dániel Péter
core +1 more source
COESÃO DISCURSIVA NOS ESTUDOS OP. 25 DE CHOPIN: ASPECTOS DE TONALIDADE E SUBTEMATISMO
Este trabalho aborda conexões entre os doze Estudos op. 25 (1837) de Fryderyk Franciszek Chopin (1810-1849). A possibilidade de unificação envolvendo essas peças já fora levantada por Charles Rosen; no entanto, para justificá-la, aqui são desenvolvidos e
Daniel Bento
doaj

