Results 81 to 90 of about 206 (117)
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1936
With Carlo Crivelli we approach quite a different group of painters from that school which culminated in the art of Giovanni Bellini and his immediate followers. Among the artists I intend to include in this volume there are several who reveal more or less strongly the influence of Giambellino, but on the whole the chief source of inspiration is a ...
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With Carlo Crivelli we approach quite a different group of painters from that school which culminated in the art of Giovanni Bellini and his immediate followers. Among the artists I intend to include in this volume there are several who reveal more or less strongly the influence of Giambellino, but on the whole the chief source of inspiration is a ...
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L’Annonciation désinvolte de Carlo Crivelli
Figures de l'Art. Revue d'études esthétiques, 2008En 1486 Carlo Crivelli acheva une Annonciation qui devait remplir un double programme : représenter, évidemment, la visite de l’ange à la Vierge et commémorer explicitement l’obtention par la ville d’Ascoli Piceno de l’autonomie judiciaire et de l’exonération des taxes pontificales.
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THE PINK ROCKS OF CARLO CRIVELLI (CIRCA 1489)
Earth Sciences HistoryABSTRACT Until the 1800s, art historians considered the Venetian artist Carlo Crivelli ( circa 1435–1495) to be a secondary if not a minor painter. This lack of recognition stems essentially from the dissemination of his paintings in churches and convents throughout the ...
Alessandro Montanari
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L'Annonciation de Carlo Crivelli et le problème de l'ornement
Studiolo, 2002Carlo Crivelli's Annunciation and the problem of ornament. Carlo Crivelli's Annunciation is here examined in iconological and formal, historical and theoretical terms, allowing for the possibility of a renewed approach of the ornament. After drawing the political and religious implications of the work, its function as a civic ex-voto, the author ...
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Two Fabrianese manuscripts pertaining to the late activity of Carlo Crivelli
Journal of the History of CollectionsAbstract This article introduces two newly discovered nineteenth-century sources by the Fabriano-born man of letters Camillo Ramelli (1804–1855), preserved in the family archive, and retraces the provenance of two late altarpieces by Carlo Crivelli (c.1430–c.1495).
Alessandro Serrani
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Presentations of bubonic plague in the Renaissance by Carlo Crivelli (c. 1430–1495)
Clinical Microbiology and Infection, 2023Hutan Ashrafian
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A Crucifixion by Carlo Crivelli
Bulletin of the Art Institute of Chicago (1907-1951), 1929exaly +2 more sources