Results 121 to 130 of about 360,858 (184)

FRANCO RUBIO, Gloria y LLORCA ANTOLÍN, Fina (eds.): "Las mujeres entre la realidad y la ficción. Una mirada feminista a la literatura española". Granada. Universidad de Granada, 2008. [PDF]

Mañas Martínez, María del Mar
core   +1 more source

Biografía contra biografía.(Dos vidas de Carmen Laforet)

, 2014
openaire   +1 more source

Nada by Carmen Laforet: A Venture in Mechanistic Dynamics [PDF]

Hispania, 1952
A prominent aspect of the contemporary Spanish novel is the heavy atmosphere of dispiritment concerning man's place in the world.* Speaking in broad terms, we may say that a favorite subject among the novelists is man's lostness and his separation from the familiar associations and values in which he once had anchorage. In this respect, Spanish writers
Sherman Eoff
openalex   +2 more sources

Appearance of Carmen Laforet on the Spanish Literary Scene

Books Abroad, 1956
Rafael Vásquez Zamora
openalex   +2 more sources

Laforet, Carmen

, 1998
Andrea Rössler
openalex   +2 more sources

Some of the next articles are maybe not open access.

Related searches:

Carmen Laforet: A Tentative Evaluation

Hispania, 1957
In the spring of 1945 Carmen Laforet's novel, Nada, winner of the Premio Nadal the previous year, took Spain by storm. Here, the critics announced, was a new writer of great promise. Of the novels published since the Civil War only Jos6 Camilo Cela's La familia de Pascual Duarte had attracted as much attention.
openaire   +2 more sources

Dealing with Time in Carmen Laforet’s Nada

Romance Notes, 2010
At the end of Carmen Laforet's first novel, Nada, Andrea reflects on the year she spent in Barcelona: Baje la escalera despacio. Sentia una viva emocion. Recordaba la terrible esperanza, el anhelo de vida con que las habia subido por primera vez. Me marchaba ahora sin haber conocido nada de lo que confusamente esperaba: la vida en su plenitud, la ...
openaire   +2 more sources

Trauma and Catholicism in Carmen Laforet's Work

Hispanic Research Journal, 2011
AbstractRepressed trauma and psychological fragmentation denote a significant pattern in Carmen Laforet's novels, in which violence 'that threatens the integrity of the body and compromises the sense of mastery that aggregates around western notions of harmonious selfhood' (Henke, 2000: xii) produces 'shattered subjects' (Henke, 2000: xii), such as the
openaire   +2 more sources