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El tremendismo en la novela Nada de Carmen Laforet [PDF]
, 2023 El presente trabajo analiza la novela Nada de Carmen Laforet dentro de las márgenes estilísticas del tremendismo. La parte introductoria está dedicada al contexto cultural-político de la posguerra española, con especial énfasis en la década de los 40 cuando Laforet publica la novela Nada.
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Narrative Structure and Epistemological Uncertainty in Carmen Laforet'sNada
Bulletin of Spanish Studies, 2011This study is concerned with the narrativestructure of CarmenLaforet's Nada and its thematic implications of radical epistemologicaluncertainty. The relationship between the two Andreas (older narrator and younger protagonist) is important in that all the material that the former uses has been gathered by and filtered through her unreliable younger ...
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Carmen Laforet'sNada: Fictional form and the Search for Identity
Symposium: A Quarterly Journal in Modern Literatures, 1984(1984). Carmen Laforet's Nada: Fictional form and the Search for Identity. Symposium: A Quarterly Journal in Modern Literatures: Vol. 38, No. 4, pp. 298-310.
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Seminarios sobre los ministerios en la iglesia, 1958
Jorge Sans Vila +30 more
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Jorge Sans Vila +30 more
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Journal of Romance Studies, 2007
This article explores the role of urban epiphanies in four novels by postwar Spanish and Catalan women writers. At certain key moments in these narratives, particular urban locations play a transformative role in the female characters’ self-development. It is argued here that these descriptions of mental states provide valuable insights into the impact
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This article explores the role of urban epiphanies in four novels by postwar Spanish and Catalan women writers. At certain key moments in these narratives, particular urban locations play a transformative role in the female characters’ self-development. It is argued here that these descriptions of mental states provide valuable insights into the impact
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Reflections of Oneself: Reconciling Identity in Carmen Laforet’s Al volver la esquina
Hispania, 2014The Spanish author Carmen Laforet is recognized almost exclusively for her first and seminal novel Nada published in 1945. However, her posthumous Al volver la esquina (2004), the last of her five novels, is an indispensable example of the author’s achievement as a psychological novelist. Yet ten years following its release, this book still remains
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