HARGA, KUALITAS LAYANAN, PROMOSI DAN PENGARUHNYA TERHADAP KEPUASAN PENGUNJUNG SUROBOYO CARNIVAL NIGHT [PDF]
, 2017 Penelitian ini bertujuan untuk mengetahui pengaruh harga, kualitas layanan, promosi terhadap kepuasan pengunjung Suroboyo Carnival Night. Populasi yang digunakan dalam penelitian ini yaitu pengunjung Suroboyo Carnival Night.
FERNANDO, SIMON
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Street Cries and Public Space Noise Abatement in 19th‐20th Century Barcelona
Tijdschrift voor Economische en Sociale Geografie, EarlyView.Abstract Focusing on Barcelona, this paper explores the historical and contemporary dynamics of street cries that allow traders to attract customers and make themselves heard in public spaces. While still common in marketplaces in southern Europe, there is a growing trend towards silencing these street cries in the name of reducing urban noise levels ...
Maria Lindmäe
wiley +1 more source
Working with the Carnivalesque at the Seaside: Transgression and misbehaviour in a tourism workplace. [PDF]
, 2016 To date, consideration of the carnivalesque at the seaside has focused on the practices and behaviour of tourists. Less attention has been paid to tourism employees who are not participants in the carnival but may nevertheless be affected by the ‘playful
Chapman, Anya, Light, Duncan
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Decolonial limits to Henri Lefebvre's spatial revolution
Transactions of the Institute of British Geographers, EarlyView.Short Abstract This commentary appreciates Hamish Kallin's (2024) account of the prospects for reconciliation of anarchist and Marxist approaches via engaging Henri Lefebvre's work, but signals equivocation about Lefebvre triggered by his depictions of colonialism, Islam and the tropics. I argue that these are inconsistent with ongoing decolonial moves
James D. Sidaway
wiley +1 more source
The discrete dynamics of small-scale spatial events: agent-based models of mobility in carnivals and street parades [PDF]
, 2002 Small-scale spatial events are situations in which elements or objects vary in such away that temporal dynamics is intrinsic to their representation and explanation. Someof the clearest examples involve local movement from conventional traffic modelingto
Batty, M, DeSyllas, J, Huxbury, E
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“Turning garbage into luxury”: the materiality in practices of the carnival production
BBR Brazilian Business Review, 2018 This paper analyzes the organization of the carnival production of a samba school. Specifically, we investigate the effort to balance the demand for luxury and the scarcity of resources.
A. Júlio, César Tureta
semanticscholar +1 more source
“This Is Legacy Cooking”: Black Women's Aesthetic Labor in Newberry County, South Carolina
Antipode, Volume 58, Issue 2, 2026.ABSTRACT Black women in the US South have carried forward the legacy culinary and care traditions of their mothers, grandmothers, and ancestors from Africa and the African diaspora. In this paper, we extend Katherine McKittrick's concept of aesthetic labor—the “music, groove, text, poem, photo” that make Black consciousness and life possible on its own
Reagan Ross +3 more
wiley +1 more source
Nigerian English: History, functions and features
World Englishes, Volume 45, Issue 1, Page 7-18, March 2026.Abstract This article offers a comprehensive overview of Nigerian English, a rapidly expanding variety of world Englishes, recognised as one of the fastest‐growing varieties of English globally in numerical terms. This article has four aims. First, it discusses the historical developments of English in Nigeria with reference to the events that led to ...
Kingsley O. Ugwuanyi +1 more
wiley +1 more source
PENGEMBANGAN SOLO BATIK CARNIVAL SEBAGAI DAYA TARIK WISATA KOTA SOLO [PDF]
, 2013 ABSTRAK Laporan tugas akhir ini mengkaji tentang latar belakang diadakan Solo Batik Carnival. Event yang pernah diikuti oleh Solo Batik Carnival.
R., Aneke Selvia Jeney
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Boston University Symphony Orchestra, Celebrating the 90th Birthday of Roman Totenberg [PDF]
, 2001 This is the concert program of the Boston University Symphony Orchestra performance on Monday, February 5, 2001 at 9:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Symphony No.
School of Music, Boston University
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