Results 41 to 50 of about 26,412 (191)

Ceramic Production and Geodiversity in Iron Age Iberia: An Archaeometric Study of Pottery from Castrejón de Capote (SW Spain)

open access: yesArchaeometry, EarlyView.
ABSTRACT The hillfort of Castrejón de Capote is one of the best investigated settlements of Late Iron Age southwest Iberia. Located in the territory that the classical sources attributed to the Celtici, it was occupied between the early 4th and the 1st centuries bce.
Beatrijs de Groot   +2 more
wiley   +1 more source

Carthage, colline de l’Odéon

open access: yesLes Nouvelles de l’Archéologie, 2011
C’est en 1987 que le groupe franco-tunisien de recherches sur la mosaïque de l’Afrique antique, dirigé par Mongi Ennaïfer et Jean-Pierre Darmon, sous le double patronage de l’Institut national tunisien du patrimoine (Inp) et de l’Institut français de ...
Catherine Balmelle   +3 more
doaj   +1 more source

Skeletal remains from Punic Carthage do not support systematic sacrifice of infants. [PDF]

open access: yesPLoS ONE, 2010
Two types of cemeteries occur at Punic Carthage and other Carthaginian settlements: one centrally situated housing the remains of older children through adults, and another at the periphery of the settlement (the "Tophet") yielding small urns containing ...
Jeffrey H Schwartz   +3 more
doaj   +1 more source

Mortars From Punic and Hellenistic–Roman Solunto: Materials, Formulations, and Technology

open access: yesArchaeometry, EarlyView.
ABSTRACT This study presents an archaeometric investigation of 18 hydraulic rendering and bedding mortars from Punic and Hellenistic–Roman Solunto (NW Sicily). The research aimed to characterize raw materials, reconstruct manufacturing sequences, and evaluate technological proficiency through mineralogical and petrochemical analyses.
G. Montana   +4 more
wiley   +1 more source

Le destin féminin de Carthage

open access: yesPallas, 2011
The myth of Carthage’s foundation stages a woman, Elissa-Dido and her peculiar and ambiguous destiny, largely illustrative of the destiny of Carthage and her empire.
Corinne Bonnet
doaj   +1 more source

The circulation and distribution of classical Greek coinage

open access: yesThe Economic History Review, EarlyView.
Abstract From a sample of the most prominent Greek city‐states, data involving a total of 999 hoards and 160,007 coins from 550 to 300 BC were collected to discern the relative magnitudes, consistency of issue, and distribution of Classical Greek coinages.
Zane Mullins
wiley   +1 more source

Miroir en cuivre et plaque daguerrienne : autour de Salammbô de Gustave Flaubert

open access: yesQuêtes Littéraires, 2015
The paper brings a motif of Salammbô’s preparations undertaken prior encountering Mathô. The scene becomes a motive for analysis of the paradigm of relation between a copper mirror and a daguerreotype plate.
Agnieszka Kocik
doaj   +1 more source

The Painterly Materiality of Clouds in Antony and Cleopatra and Hamlet

open access: yesRenaissance Studies, EarlyView.
Abstract This article examines the cloud‐gazing scenes in Antony and Cleopatra and Hamlet through the lens of early modern artistic theory and material practices, particularly the art of limning. Building upon existing philosophical and poetic interpretations of Shakespearean clouds as metaphors for ephemerality and memory, the essay argues that the ...
Anne‐Valérie Dulac
wiley   +1 more source

Dynamiques et tensions identitaires en Tunisie : la réappropriation de l’héritage carthaginois dans les pratiques créatives contemporaines

open access: yesM@GM@
Dans cet article, nous explorons comment l’héritage carthaginois, longtemps mis en marge au profit d’autres récits arabo-musulmans et coloniaux, renaît aujourd’hui à travers les pratiques créatives tunisiennes.
Mariem Bedbabis
doaj   +1 more source

From Everyman to Hamlet: A Distant Reading

open access: yesRenaissance Studies, Volume 40, Issue 3, Page 378-443, June 2026.
Abstract The sixteenth century sees English drama move from Everyman to Hamlet: from religious to secular subject matter and from personified abstractions to characters bearing proper names. Most modern scholarship has explained this transformation in terms originating in the work of Jacob Burckhardt: concern with religion and a taste for ...
Vladimir Brljak
wiley   +1 more source

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