Results 1 to 10 of about 324,412 (177)
Disruptive Spatiality and the Experience of Recordings of Bach’s Solo Cello Suites
Current Musicology, 2006 Architecture, so the saying goes, is “frozen music.” Music, conversely, is “liquid” architecture. This aphorism, popular in the early nineteenth century, soon became a cliche. “Should one perhaps speak of ruins;’ quips Schopenhauer in 1844, “as a ‘frozen
Naomi Waltham-Smith
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The physiological functions of the Cbp2D and Cbp2E proteins are important for insoluble cellulose-dependent growth in Cellvibrio japonicus [PDF]
Applied and Environmental MicrobiologyMicrobial deconstruction of plant polysaccharides is important for environmental nutrient cycling, and bacteria proficient at this process have extensive suites of polysaccharide-specific enzymes.
Baily E. Kakacek +3 more
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Dance and Its Importance in Bach’s Suites for Solo Cello
Musical Offerings, 2010 Before J. S. Bach, the cello was rarely used as a solo instrument. With his suites for solo cello, however, Bach took the instrument out of the background of dance accompaniment and basso continuo, and placed it on the center stage for musical audiences.
Audrey Hebson
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I. S. Bach suites for solo cello in arrangements for viola: specifics of the genre
Culture. Art. Education, 2022 The article deals with the editions of the Sixth Suite for solo cello by Johann Sebastian Bach, their similarity and distinction, peculiarities of interpretation, dynamic gradations, stroke and fingering variations.
M. D. Radzetskaya
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Aram Khachaturian (1903-1978): A Retrospective [PDF]
Athens Journal of Humanities & Arts, 2018 Of the three stalwart Soviet composers who had achieved international fame during the reign of Josef Stalin, namely Sergey Prokofiev, Dmitri Shostakovich, and Aram Khachaturian, it was the latter who most consistently exemplified the tenets of Soviet ...
David Z. Kushner
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İnsan&İnsan Bilim Kültür Sanat ve Düşünce Dergisi, 2019 J. S. Bach’ın eserleri el yazması veya kopya durumunda olup bu eserlerin bir kısmı kaybolmuştur. Bu durum, bestecinin ne istediğinin tam olarak bilinememesine neden olmakta ve eserlerinin yorumlanmasını daha da zorlaştırmaktadır. J. S.
Evin Erden Topoğlu
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Empirical Musicology Review, 2011 There exists a commonly held belief amongst musicologists that there has been a ―general globalisation of styles‖ within recorded performances of the latter half of the twentieth century.
Alistair Sung, Dorottya Fabian
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М. Л. Ростропович как интерпретатор Сюит для виолончели соло И. С. Баха
Вестник музыкальной науки, 2018 Статья посвящена вопросам исполнительской интерпретации виолончельных сюит И. С. Баха Мстиславом Ростроповичем. Трактовка шести сюит для виолончели соло как единого по замыслу и напряженности цикла, от бесхитростно-созерцательной Первой сюиты к полной ...
Овчинников, Станислав Александрович
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Переложение виолончельных сюит И. С. Баха для саксофона: методические и исполнительские рекомендации
Вестник музыкальной науки, 2018 Актуальность проблемы, поставленной в статье, определяется значительным расширением сольного репертуара для академического саксофона и повышенным вниманием к барочной музыке.
Михно, Владимир Александрович +1 more
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