Results 1 to 10 of about 149 (130)
Dance and Its Importance in Bach’s Suites for Solo Cello
Before J. S. Bach, the cello was rarely used as a solo instrument. With his suites for solo cello, however, Bach took the instrument out of the background of dance accompaniment and basso continuo, and placed it on the center stage for musical audiences.
Audrey Hebson
exaly +5 more sources
The physiological functions of the Cbp2D and Cbp2E proteins are important for insoluble cellulose-dependent growth in Cellvibrio japonicus [PDF]
Microbial deconstruction of plant polysaccharides is important for environmental nutrient cycling, and bacteria proficient at this process have extensive suites of polysaccharide-specific enzymes.
Baily E. Kakacek +3 more
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There exists a commonly held belief amongst musicologists that there has been a ―general globalisation of styles‖ within recorded performances of the latter half of the twentieth century.
Dorottya Fabian
exaly +3 more sources
Disruptive Spatiality and the Experience of Recordings of Bach’s Solo Cello Suites
Architecture, so the saying goes, is “frozen music.” Music, conversely, is “liquid” architecture. This aphorism, popular in the early nineteenth century, soon became a cliche. “Should one perhaps speak of ruins;’ quips Schopenhauer in 1844, “as a ‘frozen
Naomi Waltham-Smith
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Aram Khachaturian (1903-1978): A Retrospective [PDF]
Of the three stalwart Soviet composers who had achieved international fame during the reign of Josef Stalin, namely Sergey Prokofiev, Dmitri Shostakovich, and Aram Khachaturian, it was the latter who most consistently exemplified the tenets of Soviet ...
David Z. Kushner
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J. S. Bach’ın eserleri el yazması veya kopya durumunda olup bu eserlerin bir kısmı kaybolmuştur. Bu durum, bestecinin ne istediğinin tam olarak bilinememesine neden olmakta ve eserlerinin yorumlanmasını daha da zorlaştırmaktadır. J. S.
Evin Erden Topoğlu
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М. Л. Ростропович как интерпретатор Сюит для виолончели соло И. С. Баха
Статья посвящена вопросам исполнительской интерпретации виолончельных сюит И. С. Баха Мстиславом Ростроповичем. Трактовка шести сюит для виолончели соло как единого по замыслу и напряженности цикла, от бесхитростно-созерцательной Первой сюиты к полной ...
Овчинников, Станислав Александрович
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Переложение виолончельных сюит И. С. Баха для саксофона: методические и исполнительские рекомендации
Актуальность проблемы, поставленной в статье, определяется значительным расширением сольного репертуара для академического саксофона и повышенным вниманием к барочной музыке.
Михно, Владимир Александрович +1 more
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Automatic identification of music performer using the linear prediction cepstral coefficients method
The paper describes a method of automatic identification of different music performers playing identical pieces of music on the same instrument. The performers' models based on the LPCC features and vector quantization are proposed as methods of ...
Magdalena CHUDY
doaj
Muzyka w życiu i twórczości publicystycznej Gabriela Garcíi Márqueza
In life and creation of Gabriel García Márquez music plays a very special role. Musicality, curiosity for music and the willingness to musiquer originate at family home which is filled with the magical charm of the Caribbean melodies.
Ludomira GRĄDMAN
doaj

