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Some Observations on the Sources for Bach’s Violin Soli and Cello Suites
BACH: Journal of the Riemenschneider Bach Institute, 2022:The early history of Johann Sebastian Bach’s Violin Sonatas and Partitas and Cello Suites is obscure and has been the subject of much speculation. This article seeks to dispel some widespread misinformation about the sources and to offer new insights ...
Andrew Talle
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Originally dismissed as curiosities, J. S. Bach's Cello Suites are now understood as the pinnacle of composition for unaccompanied cello. This handbook examines how and why Bach composed these highly innovative works.
Edward Klorman
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Trills in the Bach Cello Suites
American String Teacher, 2010J. Carrington
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TO THE QUESTION OF THE ORIGINAL IDEA OF THE CELLO SUITES NO. 5 AND NO. 6 BY J. S. BACH
Arts education and science, 2022This article analyzes the two final cello suites of the Bach cycle BWV 1007–1012 from the viewpoint of their original instrumental affiliation. The author conducted a textual study of the autograph of the Lute Suite g-moll BWV 995, which is considered to
D. Tatarkin
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Bach's Cello Suites: A Guide for the Editionally Perplexed
American String Teacher, 1996J. Solow
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INTERVALLIC SCALING IN THE BACH CELLO SUITES
Fractals, 2009The cello suites of Johann Sebastian Bach exhibit several types of power-law scaling, the best examples of which can be considered fractal in nature. This article examines scaling with respect to the characteristics of melodic interval and its derivative, melodic moment.
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STRUCTURAL SCALING IN BACH'S CELLO SUITE NO. 3
Fractals, 2007The Bourrée Part I from Johann Sebastian Bach's Cello Suite No. 3 provides a clear example of structural scaling. The recursive form of this structure can be visualized in the manner of a well known fractal construction — the Cantor set.
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Bach's Cello Suites, Volumes 1 and 2
2007Extensive analyses of the most beloved of Bach’s ...
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