Results 111 to 120 of about 1,589 (157)
Winter Sleep (Sueño de invierno): Conciencia y orgullo [PDF]
, 2015 Rodríguez Chico, Julio
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Nuri Bilge Ceylan: An Aesthetics of Boredom
2018Caglayan offers an analysis of Nuri Bilge Ceylan’s films in relation to slow cinema and contextual dynamics of filmmaking in Turkey. The chapter begins with an institutional history of cinema in Turkey and discusses the critical intervention by which Ceylan and New Turkish Cinema brought newer ways of telling stories.
E. Caglayan
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Studies in European Cinema, 2019
The paper explores how the film Bir Zamanlar Anadolu’da/Once Upon a Time in Anatolia (Nuri Bilge Ceylan, 2011) represents the difficulty of uncovering meaning and truth in a psychoanalytic process of coming to ‘know thyself’.
Orit Dudai
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The paper explores how the film Bir Zamanlar Anadolu’da/Once Upon a Time in Anatolia (Nuri Bilge Ceylan, 2011) represents the difficulty of uncovering meaning and truth in a psychoanalytic process of coming to ‘know thyself’.
Orit Dudai
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ReFocus: The Films of Nuri Bilge Ceylan
2023This edited volume provides thematical analysis of Ceylan’s transnational cinema with intertextual and intermedial readings of individual films, the fluidity of the text creating and maintaining a dialogue between chapters the way Ceylan’s films maintain dialogue with each other.
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European co-productions and film style: Nuri Bilge Ceylan
Studies in European Cinema, 2018The increasing numbers of co-productions triggered a change in post-1990s Turkish cinema. Countries improved their production conditions and inspired each other artistically while co-producing film...
Zehra Cerrahoğlu Zıraman
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Nuri Bilge Ceylan: An Introduction and Interview
Film Quarterly, 2011An interview with Turkish film director Nuri Bilge Ceylan about his film Once Upon a Time in Anatolia, which won the 2011 Grand Prix at the Cannes Film Festival. Ceylan discusses his cinematic technique as well as his characters' “inner violence” and complex motivations.
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Conflicted selves: the humanist cinema of Nuri Bilge Ceylan
New Review of Film and Television Studies, 2016James Harvey-Davitt
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Stalkers of Istanbul: Silence, Urban Space and Damaged Masculinity in Nuri Bilge Ceylan’s Distant
Quarterly Review of Film and Video, 2020In their introduction to the 2004 anthology The Trouble with Men, editors Phil Powrie, Ann Davies and Bruce Babington write: “Gone is the hard body of the action film, or the scarred body of the lone hero. [...
E. Caglayan
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