Results 11 to 20 of about 1,589 (157)

Uzak, or the unbearable lightness of the ordinary [PDF]

Ambiances
The text explores the notion of urban atmosphere, its ordinary rhythm, and the debilitating effects that it might have on the bodies that breathe through it, by looking at Nuri Bilge Ceylan’s third movie, and first international success, Uzak [2002].
Andrea Pavoni
doaj   +3 more sources

Presentation of Nuri Bilge Ceylan and his Cinema in the Turkish Media

CINEJ Cinema Journal, 2018
Nuri Bilge Ceylan is the most famous Turkish film director with numerous international prizes. However, Ceylan’s presentation by the Turkish media is far from emphasizing his success, talent, creativity, style, technique, and cinematography.
Zafer Parlak, Mehmet Işık
doaj   +2 more sources

Nuri Bilge Ceylan’s Frames as a Pastiche: Caspar David Friedrich and Ilya Glazunov

Sanat Tarihi Yıllığı
In today’s postmodern period, the concept of intertextuality has emerged and been evaluated not only in written and oral texts but also in many other art forms, as opposed to the ancient Russian formers and theorists.
Türker Körük
doaj   +2 more sources

NURİ BİLGE CEYLAN SİNEMASINDA TARKOVSKY ÖYKÜNMESİ [PDF]

, 2022
Türk sineması, içinde bulunduğu toplumsal, ekonomik, sosyal olayların yaşandığı dönemlerden etkilenirken bir başka etkilendiği kaynak ise farlı ülkelerin sinemaları ya da yönetmenleri olmuştur. Genel olarak Türk sinemasında yabancı yönetmenlere öykünmelerin 1990’lardan sonra ağırlık kazandığı görülmektedir.
ÖZDEMİR, Nurullah, ÖZTÜRK, Bahar
openaire   +4 more sources

Ethics and Aesthetics in Nuri Bilge Ceylan’s Cinema

SineFilozofi
This paper examines the relationship between ethics and aesthetics in Nuri Bilge Ceylan's cinema, exploring how his films intertwine moral considerations with aesthetic expression. Focusing on themes such as identity, belonging, and displacement, Ceylan's work reflects societal issues without any direct political commentary, emphasizing ethical ...
Fatma Serdaroğlu
openaire   +2 more sources

"About Dry Grasses" and Nuri Bilge Ceylan’s Rhetoric

Border Crossing
In this study, I analyse Nuri Bilge Ceylan's About Dry Grasses through the lens of contemporary global and local politics. After briefly summarizing the plot, I explore the themes of illiberalism and anti-intellectualism. These issues are examined in relation to anti-individualism, human nature, tribalism, anti-universalism, anti-secularism, moral ...
Argun Abrek Canbolat
openaire   +2 more sources

Nuri Bilge Ceylan’ın Filmlerinde Kadın Oyuncular ve Yakın Çekim Sahneleri

Etkileşim, 2018
Bu calismada, Turkiye’de sinema dilinin anlatim ogelerini uyumlu kullanarak icerigin sunumu, goruntu estetigi ve duzenlemesi, mekân secimi gibi tum estetik unsurlar ve teknik bakimdan seyircisine anlatmak istedigini basarili bir bicimde aktaran yonetmen ...
H. H. Künüçen
exaly   +2 more sources

NURİ BİLGE CEYLAN SİNEMASINDA KARAKTERLERİN SİNEMATOGRAFİK SUNUMLARI

The Journal of Academic Social Sciences, 2020
Resul Sakinmaz Meral Özçinar
openaire   +2 more sources

Kendilik Bahsi ve ‘Ahlat Ağacı’ Filminde Modernite Eleştirisi

Atebe, 2021
Bu çalışmada modern bireyin kendini var etme çabası bağlamında çağ getirisi olarak karşılaştığı problemler, zorunluluklar ve değer yargıları ele alınmıştır.
Kübra Çamurdaş
doaj   +1 more source

Nuri Bilge Ceylan’ın Uzak Filmine Neoformalist Bir Bakış

Turkish Studies, 2020
Fatih Söğüt
exaly   +2 more sources