Results 31 to 40 of about 9,850 (175)

Accords et correspondances dans L’ombre douce et Sous le ciel qui brûle [PDF]

, 2018
L’ombre douce (Viviane Hamy, 2013) and Sous le ciel qui brûle (Viviane Hamy, 2017) evoke the history of France and Vietnam between the start of the twentieth century and the 1970s through the exploration of the relationships between past and present, war
Nguyen, Hoai Huong
core   +2 more sources

Les retissages de soieries impériales versaillaises de la seconde moitié du xxe siècle, entre transmission et médiation

Bulletin du Centre de Recherche du Château de Versailles
Replacing original silks that had become too damaged, Premier Empire reweavings arrived in château-museums in the second half of the twentieth century, with the aim of evoking the aesthetics of the Napoleonic period in rooms open to the public, while ...
Laureen Gressé-Denois
doaj   +1 more source

Curating the Unexpected: Stéphane Thidet's “Weeping Stones” Transformed During COVID‐19

Curator: The Museum Journal, EarlyView.
ABSTRACT A monumental work by French artist Stéphane Thidet became the nexus for an unexpected interaction between an art installation and wildlife. “Weeping Stones,” which presents a desert‐like world, devoid of greenery, was featured in an exhibition we co‐curated at the Genia Schreiber University Gallery, Tel Aviv, Israel, in January 2020.
Tamar Mayer, Sefy Hendler, Asaf Ben‐David, Darya Aloufy   +3 more
wiley   +1 more source

De fil palatial en aiguille patrimoniale. La soierie du cabinet de repos du petit appartement de Napoléon Ier à Versailles.

Les Cahiers de l'École du Louvre
In spring 2024, the Château de Versailles will present the silks Napoleon I had made in Lyon for the palaces of Versailles and Trianon. From gold to bees, from flowers to shades, the textiles were never put up, as the fall of the Empire meant that they ...
Laureen Gressé-Denois
doaj   +1 more source

Pros and Cons of Bernini's Design for the Louvre: Monumentality Without Dome, Pediment or Free‐Standing Column and Its Drawbacks

JAPAN ARCHITECTURAL REVIEW, Volume 9, Issue 1, January–December 2026.
ABSTRACT In the 17th‐century Louvre expansion project, many architects used free‐standing columns, domes and large pediments for its east elevation. These elements helped give the elevation, over 150 m wide, the monumentality the court wanted, while also providing the appropriate articulation. Bernini was probably the only architect who did not use any
Taro Endo
wiley   +1 more source

Ouverture du colloque « La cour et les sciences : naissance des politiques scientifiques dans les cours européennes aux xviie et xviiie siècles »

Bulletin du Centre de Recherche du Château de Versailles, 2006
On the occasion of the exhibition “Science and Curiosities at the Court of Versailles” held at the Château de Versailles (26 October 2010 to 3 April 2011), the Centre de Recherche du Château de Versailles organized the conference, “The court and the ...
Jean-Jacques Aillagon, Béatrix Saule
doaj   +1 more source

Fernand Pouillon's Symbiotic Spaces in Suburban Housing Complex in Paris—From the Perspective of Continuity with the “Three Districts of Algiers”

JAPAN ARCHITECTURAL REVIEW, Volume 9, Issue 1, January–December 2026.
This study examines Fernand Pouillon's HLM projects at Point du Jour and Meudon‐la‐Forêt to reveal how his concept of “coexistence” was realized. Cultural elements such as the tower, the Algerian Gate, and the Moucharabieh were identified as a result. This concept of coexistence is empirically supported by social surveys.
Rikako Toda, Kosuke Matsubara
wiley   +1 more source

Gabriel Revel : collaborateur champenois de Le Brun à Versailles

Bulletin du Centre de Recherche du Château de Versailles, 2006
The career of painter Gabriel Revel (1643–1712)—born in Château-Thierry, on the borders of Champagne, and died in Dijon, the capital of Burgundy—is a good example of the centralizing and decentralizing pressures that could impact a provincial artist’s ...
Dominique Brême
doaj   +1 more source

La campagne d’Égypte du général Bonaparte et l’exotisme oriental : Portrait de l’indigène chez Anne-Louis Girodet (1767-1824) [PDF]

, 2006
L’oeuvre d’Anne-Louis Girodet témoigne d’un intérêt indéniable pour l’exotisme et plus précisément pour l’indigène oriental. L’étude de quelques tableaux et d’un poème montre les particularités du regard que jette le peintre français sur les peuples dits
Champagne, Annie
core   +1 more source

The C.A.S.A. Model: A Culturally Affirming Study Abroad Framework Informed by Black HBCU Counselor Education Students

Journal of Multicultural Counseling and Development, Volume 54, Issue 1, Page 41-48, January 2026.
ABSTRACT A Culturally Affirming Study Abroad (CASA) model is introduced to address the needs of students and faculty who desire a different type of experience. The case study of Black Paris emphasizes the impact of culturally affirming global experiences in fostering intercultural competence, enhancing professional aspirations, and increasing Black ...
Michael Brooks, Tyreeka Williams, Micah Wyatt, Joshua Simpson, Maudeline Clervoix‐Frank, Desmond Rowe   +5 more
wiley   +1 more source