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Generation of Melodies for the Lost Chant of the Mozarabic Rite
Prior to the establishment of the Roman rite with its Gregorian chant, in the Iberian Peninsula and Southern France the Mozarabic rite, with its own tradition of chant, was dominant from the sixth until the eleventh century.
Darrell Conklin, Conklin Darrell
exaly +3 more sources
A protestáns gregoriánum utóélete az erdélyi kortárs egyházzenei életben
The Afterlife of Protestant Gregorian Chant in Contemporary Transylvanian Church Music. The loss of the genre of Protestant Gregorian chant did not mean the complete disappearance of Gregorian chant from the life of the Protestant churches in ...
József Tibor KURTA
doaj +1 more source
An unknown letter by Joannes/Jean-Baptiste/ Thibaut, French Byzantines-musicologist 1899 [PDF]
This work concerns the letter sent from the French College in Phillipopoli/Plovdiv (Bulgaria) by Pater Joannes /Jean-Baptiste/ Thibaut, the French Byzantines — musicologist, to Tihomir Ostojić, professor at the Secondary school (Gymnasium) in Novi Sad, a
Petrović Danica
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Ebrucu Mustafa Düzgünman’ın Besteleri
Geleneksel ebru sanatının yakın geçmişteki en önemli temsilcilerinden Mustafa Düzgünman’ın ebrucu kimliğinin yanı sıra müzisyenlik, ciltçilik, fotoğrafçılık, tesbihçilik, şairlik ve türbedarlık yönleri ile de çevresinde temayüz ettiği, bu alanlarda ...
Agah Terzi
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The Medieval Chants for Ste Foy Considered through the Prism of Their Nocturnal Performance
The medieval cult of Ste Foy inspired several sets of liturgical chants, or historiae, including at least two that were probably made for use at Conques in the early eleventh century.
Henry Parkes
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Romanian vs. Greek-Turkish-Persian-Arab: Imagining national traits for Romanian church chant [PDF]
Romanian cantors, clergymen and musicologists debated the problem of a national church chant from the late 19th century onwards. Amongst other things, they tried to define the specific traits of Romanian chant, to place these traits in opposition with
Moisil Costin
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Est-il possible de chanter du flamenco en français ?
Le présent article revient sur l’historique de l’atelier Trad. Cant. Flam., le corpus qui constitue son objet d’étude et l’avancement des travaux pendant l’hiver 2021-2022.
Anne-Sophie RIEGLER, Vinciane TRANCART
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Carlos Saura enflamme le cinéma flamenco
Le cinéaste espagnol Carlos Saura, connu d’abord pour ses films de la période franquiste, l’est aujourd’hui pour son cinéma musical. Il a contribué à faire entrer le flamenco dans la modernité, en impulsant dans les années 1990 une nouvelle écriture ...
Isabelle DE MONTGOLFIER
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Género, urbanización y pobreza: el reto de los "hogares"
El artículo pone de relieve la importancia de considerar en las intervenciones que busquen alcanzar el desarrollo sustentable las dimensiones de género, urbanización y pobreza y la necesidad de abordarlas desde la perspectiva de los hogares o unidades ...
Sylvia Chant
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Perzeption und Rezeption des Gregorianischen Chorals von seiner Restauration bis heute
The perception and reception of Gregorian chant has experienced a fundamental change since the mid-nineteenth century. Plainsong was no longer a pure liturgical chant in the Catholic rite, but a chant for all people. In addition to its liturgical aspect,
Stefan Engels
doaj +1 more source

