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Generation of Melodies for the Lost Chant of the Mozarabic Rite
Prior to the establishment of the Roman rite with its Gregorian chant, in the Iberian Peninsula and Southern France the Mozarabic rite, with its own tradition of chant, was dominant from the sixth until the eleventh century.
Darrell Conklin
exaly +3 more sources
Dominican Chant and Dominican Identity
The Order of Preachers possesses a venerable chant tradition that dates back to the thirteenth century. This essay describes Dominican chant, showing how it developed as a consequence of the attitudes to the liturgy expressed in the Ancient Constitutions
Innocent Smith, Op
exaly +3 more sources
A protestáns gregoriánum utóélete az erdélyi kortárs egyházzenei életben
The Afterlife of Protestant Gregorian Chant in Contemporary Transylvanian Church Music. The loss of the genre of Protestant Gregorian chant did not mean the complete disappearance of Gregorian chant from the life of the Protestant churches in ...
József Tibor KURTA
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An unknown letter by Joannes/Jean-Baptiste/ Thibaut, French Byzantines-musicologist 1899 [PDF]
This work concerns the letter sent from the French College in Phillipopoli/Plovdiv (Bulgaria) by Pater Joannes /Jean-Baptiste/ Thibaut, the French Byzantines — musicologist, to Tihomir Ostojić, professor at the Secondary school (Gymnasium) in Novi Sad, a
Petrović Danica
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Contexte : Depuis les années 1970, les publications testant l’effet d’un support musical ou chanté sur la récupération du langage dans l’aphasie se sont multipliées.
Léa Giroux, Yohana Lévêque
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The Sticky Riff: Quantifying the Melodic Identities of Medieval Modes
Andrew Hughes' Late Medieval Liturgical Offices afforded chant scholarship more melodies than it knew what to do with. Until now, chant scholarship involving 'Big Data' usually meant comparing individual feasts to the whole corpus or looking at general ...
Kate Helsen, Mark Daley, Jake Schindler
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Romanian vs. Greek-Turkish-Persian-Arab: Imagining national traits for Romanian church chant [PDF]
Romanian cantors, clergymen and musicologists debated the problem of a national church chant from the late 19th century onwards. Amongst other things, they tried to define the specific traits of Romanian chant, to place these traits in opposition with
Moisil Costin
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The Virgin Mary and Sainte-Foy: Chant and the Original Design of the West Façade at Conques
Using the evidence of Aquitanian chants, this article explores the possibility that a twelfth-century relief panel of the Annunciation today in the interior of Conques was originally designed for the West facade, where it completes the composition of the
Bissera V. Pentcheva
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Perzeption und Rezeption des Gregorianischen Chorals von seiner Restauration bis heute
The perception and reception of Gregorian chant has experienced a fundamental change since the mid-nineteenth century. Plainsong was no longer a pure liturgical chant in the Catholic rite, but a chant for all people. In addition to its liturgical aspect,
Stefan Engels
doaj +1 more source

