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2021
Le Chat Noir was a playground for painters, writers, poets, pranksters, and musicians, all gleefully demolishing the standards of art and good taste. Caroline Crépiat examines such eccentric personalities as Paul Verlaine, Alphonse Allais, Marie Krysinska, Maurice Mac-Nab, and Charles Cros, and analyzes their treatment of money, women, translation ...
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Le Chat Noir was a playground for painters, writers, poets, pranksters, and musicians, all gleefully demolishing the standards of art and good taste. Caroline Crépiat examines such eccentric personalities as Paul Verlaine, Alphonse Allais, Marie Krysinska, Maurice Mac-Nab, and Charles Cros, and analyzes their treatment of money, women, translation ...
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Hearing the Shadows at the Chat Noir’s Pre-cinematic Theatre
2021Abstract In the methodological introduction to his book Silent Film Sound (2004), Rick Altman focused his attention on “the extremely diverse pre-cinema practices that served as early models for film sound.” The aim of this chapter is to closely examine one such practice: that of the Chat Noir’s Shadow Theatre between 1886 and 1897 ...
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Poétique du Chat Noir (1882-1897)
2021Malgré le regain d'intérêt, ces quinze dernières années, pour l'étude de la presse du XIXe siècle, un titre phare de la fin de siècle, Le Chat Noir, n'a jamais fait l'objet d'une étude approfondie en tant que journal.
Crépiat, Caroline +2 more
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