Results 31 to 40 of about 68,379,938 (78)

Middle Managers' Interface Work: Exploring Micro‐Practices for Co‐Adoption of Emerging Ecosystem Value Propositions

open access: yesJournal of Management Studies, EarlyView.
Abstract Emerging ecosystem value propositions require collective co‐adoption by heterogeneous stakeholders. Focusing on middle managers (MMs) in ecosystem emergence, we introduce the notion of MM interface work: a form of social‐symbolic work comprising discursive, relational, and material micro‐practices within and across cognitive, behavioural ...
Krithika Randhawa   +3 more
wiley   +1 more source

Oregon game code

open access: yes, 1939
This archived document is maintained by the Oregon State Library as part of the Oregon Documents Depository Program. It is for informational purposes and may not be suitable for legal purposes.1939-1940-1971-1972Mode of access: Internet from the Oregon ...

core  

Utilization of the Canadian Incidence Study of Reported Child Abuse and Neglect in First Nations Child Welfare Agencies in Ontario

open access: yes, 2009
The goals of this study are: to examine the awareness and utilization of the Canadian Incidence Study of Reported Child Abuse and Neglect (CIS) and the Ontario Incidence Study of Reported Child Abuse and Neglect (OIS) by First Nations child welfare ...
Jack, Susan   +4 more
core   +1 more source

Scaling Social Impact at Tony's Chocolonely: How Interactional Dynamics Shape Social Innovation Processes and Drive Institutional Change

open access: yesJournal of Management Studies, EarlyView.
Abstract Social enterprises are frontrunners in social innovation, yet our understanding of how they can scale their social impact beyond local, contained contexts remains nascent. To transform the institutional environment that gives rise to social problems, social enterprises must mobilize actors with divergent interests, values, and beliefs to ...
Janina Klein   +2 more
wiley   +1 more source

Do deepfakes, digital replicas and human digital twins justify personality rights?

open access: yesThe Journal of World Intellectual Property, EarlyView.
Abstract Unauthorised deepfakes are deeply problematic, from the spreading of misinformation to non‐consensual pornographic content. This paper asks whether deepfakes, digital replicas and human digital twins justify personality rights. To address this question, it examines the harms that deepfakes can cause through disinformation, demeaning content ...
Hayleigh Bosher
wiley   +1 more source

Culture Seen, Culture Experienced and Culture Rediscovered [PDF]

open access: yes, 2010
In this paper we present an account of the (digitized/digital) “culture seen” and the “culture experienced”. For each cultural artefact, digitized and brought online, we assume both 1) a formal description (using OWL-DL for example) and 2) a ...
Ünal, Yurdagül   +2 more
core   +1 more source

Enforcing intellectual property rights in metaverse gaming platforms: The next steps for the EU's metaverse agenda

open access: yesThe Journal of World Intellectual Property, EarlyView.
Abstract This article delineates a comprehensive framework for the achievement of effective metaverse governance that reflects the EU's current metaverse agenda and promotes respect for intellectual property rights. To do so, this article follows a two‐strand methodology. It engages in a doctrinal legal analysis and a policy‐oriented assessment.
Zoi Krokida, Ioanna Lapatoura
wiley   +1 more source

The Impact of YouTube advertising clutter on the viewers’ attitude towards YouTube channels owned by mainstream television channels

open access: yes, 2022
The impact of exposure to advertising clutter while watching television programs on offline media and the subsequent attitude generation of viewers towards offline media have been discussed extensively in marketing.
Senarathna, T
core  

“Hold on, I'm comin'”: Copyright, political campaigns, and the limits of songwriter control

open access: yesThe Journal of World Intellectual Property, EarlyView.
Abstract This article examines how songwriters in the United States object to the unwanted performance of their musical works at live political events, and the legal options available to challenge such uses. Prompted by the repeated use of ‘Hold On, I'm Comin'’ as outro music at Donald Trump's campaign events between 2020 and 2024, and the recent ...
Joel Cooper, Marie Hadley
wiley   +1 more source

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