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Historicism, Nihilism, and the Chilean Neo–Avant-Garde

Discourse, 2013
IntroductionRecent proclamations of the "end of art," along with a series of endings that would have transformed the modern world (the end of politics, history, ideologies, etc.), might correcdy be interpreted as a confirmation of the victory and total preponderance of neoliberal globalization and its consequent "parliamentary capitalism," to use Alain
Sergio Villalobos‐Ruminott
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Reflections in a Neoliberal Store Window: Nelly Richard and the Chilean Avant-Garde

Art Journal, 2005
Downtown in the Chilean pon city of Valparaiso is one of the most peculiar and certainly one of the smallest art galleries you are likely to encounter. Established in 2003, the H10 gallery is tucked away in a narrow storefront window to one side of a taxi company's office doorway.
Jon Beasley-Murray
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Ausentes presentes: Art Music from the Chilean Exile in the Anacrusa Festivals at the Goethe-Institute Santiago (1985–89)

Twentieth-Century Music, 2020
Created in 1984, the Anacrusa Music Association organized concerts, workshops, and festivals of contemporary music in Chile during the last years of Pinochet's military dictatorship.
Daniela Fugellie
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